Louise Plant

Louise Plant creates sculpture inspired by the dynamics of movement. She works with marble, stone, bronze, cast iron and steel and has a particular feel for the direction the material wants to go. Her sculptures are visually striking with a wonderful sense of aliveness and  character.

Louise studied sculpture with the Open College of the Arts in 1992, whilst working full time as a teacher. Leaving teaching in 1994, Louise continued to study and make sculpture. She was elected Member of the Royal Society of Sculptors in 2003 and became Fellow in 2014.

Louise Plant has exhibited widely including MOCA, Cheeseburn Grange, Asthall Manor, New Walk Museum and Art Gallery, the Usher and Wysing Arts.

Awards include the Brian Mercer Scholarship, Studio Sem, Italy, the KKV Bohuslän Scholarship, Sweden and the Year of the Artist Award, Arts Council England.

Her work is held in private collections globally and she has been commissioned by the MOD Northwood, the RNIB Loughborough, Durham County Council, Somerset County Council and the Waldorf Astoria Bangkok.

View Current Artworks

Categories:

  • Sculptures
  • Prints

Mediums:

  • Drawing
  • Prints – Screenprints
  • Prints – Other
  • Sculpture – Metal-Cast
  • Sculpture – Metal-Fabricated
  • Sculpture – Stone

Subject Matter:

  • Abstract
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    Lizzie Farey

    Lizzie Farey’s intricate structures capture a still moment, a distillation and order. Calm after a storm.

    Intimate forms provide a hint of the process of creation. We can see and even feel points of tension in the work. Our eye can follow the artist’s hand, the choices made in twisting and turning this flexible medium.

    Born in Singapore, for the last 30 years Farey has been based in rural Galloway, in Scotland’s South West. The rural setting of home and studio are her guiding inspiration, her sensitivity with wood revealing an interaction with nature that is deeply personal.

    Lizzie Farey grows much of her own pallet of artist’s materials. Planting, tending and harvesting a range of willow which is grown for both texture and colour.

    Willow, it’s flow of flex and tension is often manipulated into rhythmic patterns, Artist, willow, form, each unique, reach a perfection as the work comes together, inner creative process and final form working as one.

    ‘My work engages with nature. I focus on recreating the essence of natural form through the medium of willow, larch, ash, hazel and other locally grown woods. Influences from Japan continue to inspire my attempts to capture the simplicity, practicality and beauty of the materials.’

    Categories:

    • Sculpture
    • Wall Panels

    Sculpture Type:

    • Interior

    Mediums:

    • Sculpture – Wood
    • Woven Willow

    Subject Matter:

    • Abstract
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    ‘My work engages with nature. I focus on recreating the essence of natural form through the medium of willow, larch, ash, hazel and other locally grown woods. Influences from Japan continue to inspire my attempts to capture the simplicity, practicality and beauty of the materials.’

    Lizzie Farey

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      Jo Beattie

      Jo Beattie – ‘Memories are those precious moments that tell our story’

      Her work is a reflection on our own memories and also our shared past experiences expressed by ‘drawing with a sewing machine’. Shapes, textures, patterns and colours define us in a time, a place and a culture.

      In the last few years the subject matter of her work has ranged from intimate scenes of everyday life to ‘Conversations’ within groups of people I have seen throughout my travels and more recently the discovery of the memories evoked by ‘Old Toys.’ I have been surprised by how emotional and important these can be.

      Jo’s work uses shadow to reflect the image of our collective memories and identity. She has become interested in the way her artwork can enhance the idea of memory by having a shadow of the image reflected onto a plain background a distance away from the actual work. This enables the shadow to become larger and more defined. The work is produced in any way that best creates the atmosphere she is trying to evoke.

      Jo Beattie predominantly uses a machine stitch with see-through backgrounds such as wire mesh and Perspex to allow shadows to become an integral part of the work.

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      Memories are those precious moments that tell our story

      Jo Beattie

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        Martha Winter

        Martha Winter was born and grew up in London. Her work is the unusual outcome of many influences. Growing up with minimal art and modern architecture influenced her visual language of reduced and economical form.

        Martha is fascinated by systems, repetition and order, often working in series. She has regularly witnessed the extreme erosion of the coastline, which has given her an interest in the natural processes which form the landscape.

        Martha Winter has developed her own unique processes, creating pieces reminiscent of satellite imagery and microscopy.

        Through her work, she seeks to reach a combination of these ingredients, aiming for a point of tension and harmony where a frisson occurs.

        View Current Artworks

        Categories:

        • Wall Panels
        • Paintings

        Wall Panel Type:

        • Contemporary
        • Relief Panel Painting

        Mediums:

        • Mixed Media
        • Painting on Panel

        Subject Matter:

        • Abstract
        • Architectural
        • Geographical
        • Landscape
        • Seascape/Water
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        Growing up with minimal art and modern architecture influenced my visual language of reduced and economical form.

        Martha Winter

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          Luke Elwes

          Luke Elwes (b.1961) lives and works in London. He studied at Bristol University, Camberwell School of Art and Birkbeck, London University (Art History MA 2007).

          Throughout the 1990s he travelled extensively, discovering and revisiting remote desert and mountain locations in India, Asia and North Africa. In 1998 he was artist in residence on an expedition to Mount Kailash, a holy mountain in western Tibet.

          Since 2000 he has worked for extensive periods on an island off the East Coast of the UK. In 2013 he was awarded a grant to study at the Vermont Studio Centre and in 2015 he was resident artist at the Albers Foundation (USA). In 2011 he was invited to give an ‘Artist’s Eye’ talk at the National Gallery.

          The idea of a journey is central to Luke Elwes paintings, both its physical and temporal unfolding and its recollection in memory. As well as recording particular journeys, the paintings reveal, like a hieroglyphic text, the many layers of history buried beneath the surfaces of these places. Rooted in the particular, the images also probe an interior space. They become maps of the ‘geographical unconscious’, suggesting both the trail of our presence and the passage of time.

          View Current Artworks

          Categories:

          • Paintings

          Mediums:

          • Mixed Media
          • Paintings on Canvas
          • Paintings on Paper

          Subject Matter:

          • Abstract
          • Landscape
          • Seascape/Water
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          The idea of a journey is central to my paintings, both its physical and temporal unfolding and its recollection in memory.

          Luke Elwes

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            Pierre Diamantopoulo

            Pierre Diamantopoulo has two distinct strands to his figurative style. They seem to be intellectually and emotionally worlds apart, but they share the same impetus.

            One is a cool and measured response to a profound sense of unrest. In this work, figures fly in defiance or are challenged by their environments. They ‘trippingly’ negotiate upheaval or uncertainties — each work is a balancing act, a metaphor for a precarious state of living or existence. Androgynous and anonymous human figures tilt and fall away – on and off objects that also teeter on a chaotic or shifting stage. Figures may be set free against strongly convergent lines, shapes and forms.

            The other strand of Pierre Diamantopoulo’s practice is ambiguous, allegorical and atavistic, but still concerned with mercurial forces. Here, he works on impulse— mixing dark foolery, the poetic and the literary with theatre and folklore— blended with a sort of logical nonsense. This may be a voyage into the past, personal or absurd, diverted by the raw and primitive, with the wit, the mimic and maverick on board. These works are often executed with an immediate, freer hand, exploiting the texture of the raw material.

            Categories:

            • Sculptures
            • Paintings

            Sculpture Type:

            • Exterior
            • Interior
            • Tabletop

            Mediums:

            • Metal-Cast Sculpture
            • Metal-Fabricated Sculpture
            • Paintings on Canvas
            • Paintings on Paper

            Subject Matter:

            • Abstract
            • Animal/Botanical
            • Portrait/Figurative
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            There are two distinct strands to my figurative style. They seem to be intellectually and emotionally worlds apart, but they share the same impetus.

            Pierre Diamantopoulo

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              Dorothy Brook

              Dorothy Brook became a sculptor in a roundabout way. She had studied Graphic Design at St Martins School of Art and worked as a freelance designer for about 10 years. When circumstances changed, a friend suggested she join a sculpture class. She loved it having no idea that she would be able to work in three dimensions having been used to seeing everything from a graphic and linear perspective.

              To her surprise her graphic background gave her work a very different look. The lines and curves have to flow when viewed from every angle. The form is pared down until all that is left is its essence. Ultimately the aesthetic of the piece is the most important element.

              Although Dorothy may start a sculpture with an armature and an idea of what she is going to make, it very often changes during the process. It is the sculpture that dictates where it is going and she follows, refining the lines as it progresses. Usually working in plaster as she finds it is easier to achieve the sharp edges and smooth surfaces that define her style. ‘I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.’

              Dorothy Brook still loves the process as much as she did in that first sculpture class. The realisation that her drawings can and have come to life is very satisfying, not bad for a Graphic Designer!

              Categories:

              • Sculpture
              • Paintings

              Sculpture Types:

              • Exterior
              • Interior

              Mediums:

              • Sculpture – Metal-Cast
              • Sculpture – Resin
              • Painting on Paper
              • Pastels
              • Drawing

              Subject Matter:

              • Abstract
              • Figurative
              • Landscape
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              'I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.'

              Dorothy Brook

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                Artful Dodger

                Artful Dodger is widely credited with being one of the first Aerosol Writers/Urban Artists to emerge from the UK, serving as an influence to some of today’s top UK Urban Artists. Over the years, he has evolved professionally to have clients which include the BBC, Channel 4, EA Games, LucasFilm (Star Wars), MTV, The South Bank Show, as well as a well-known breakfast cereal.

                On the community arts side of his portfolio, he has a strong background in both organising and facilitating a variety of creative mural projects and workshops. Working mainly in inner cities with disadvantaged youth and other young people (through children’s arts charities such as SP8 Of The Art).

                He has also been involved in projects in the US, Italy, France, Spain, Hungary, Romania and Ukraine, as well as all over the UK. One of his projects on the now fallen Aylesbury Estate in SE London, even won an award from the late Princess of Wales.

                Employing an eclectic palette of media, ranging from spray-paint and acrylics to pastels and graphics tablets, he takes the inspiration for his paintings from the intrinsic beauty of nature, as well as a vast range of musical styles, urban and pop culture influences. Along with this, he describes his work as being a combination of ‘liquid light’ and ‘visual music’.

                Categories:

                • Paintings
                • Prints – Artist
                • Digital
                • Wall Panels
                • Other – Murals

                Mediums:

                • Digital
                • Mixed Media
                • Paintings on Canvas & Paper
                • Photomontage
                • Spray paint Graffiti
                • Video/Film

                Subject Matter:

                • Abstract
                • Architectural
                • Cityscape/Urban
                • Interiors
                • Music
                • Portrait/Figurative
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                  Jacqueline Real

                  Jacqueline Real was born in Zurich and studied in Switzerland and Austria.

                  “To me, painting means feeling intensely, living, expressing the inexpressible with paint. It means listening to your innermost self, being quiet, being impulsive, marvelling, hoping – seeing the light and being overwhelmed.”

                  Jacqueline Real’s pictures unearth landscapes and nature buried deep in the unconscious. Above all, it is the colours which, in their harmonious composition and their precise contrasts result in a subliminal experience.

                  She has had many Solo and Group Exhibitions in Switzerland, England, Germany and USA. Jacqueline is a member of Visarte, Switzerland and Fellow of Free Painters and Sculptors, London.

                  Jaqueline Real has work in many private and public collections including Risk Publications, UBS, CS, Tokio Bank, British Government, Crown Court Truro, Marc Rich, Johnson & Johnson, Strutt & Parker, Morgan, Lewis and Bockius, SmithKline Beecham, Holiday Inn Express etc….etc

                  View Current Artworks

                  Categories:

                  • Paintings
                  • Prints

                  Mediums:

                  • Collage
                  • Painting on Canvas & Paper
                  • Paper/Paper Pulp
                  • Prints – Artist

                  Subject Matter:

                  • Abstract
                  • Landscape
                  • Seascape/Water
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                  To me, painting means feeling intensely, living, expressing the inexpressible with paint. It means listening to your innermost self, being quiet, being impulsive, marvelling, hoping - seeing the light and being overwhelmed.

                  Jacqueline Real

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                    Philip Melling

                    Philip Melling works predominantly in metals creating an eclectic range of sculpture for exhibition, private clients and public installation.

                    He draws inspiration mostly from the materials he uses. Through concepts of movement and through experimentation he develops the shape of his sculptures.

                    His collection ‘Elements’ focuses on Earth, Air, Water and Fire and describing the reaction when those elements meet.

                    In developing the collection Philip Melling concentrated on using a repetitive form – curved metal bars, to generate concepts and capture the movement of elemental reactions.

                    Philip’s sculptures are designed to work as sculptures for the home, office and garden, as well as larger scale installations for private or public spaces.

                    Categories:

                    • Sculptures

                    Sculpture Type:

                    • Exterior
                    • Interior

                    Mediums:

                    • Sculpture – Metal-Fabricated

                    Subject Matter:

                    • Abstract
                    • Architectual
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                      Alex Pearce

                      Alex Pearce is a painter of cityscapes and other landscapes.

                      The constant pushing and pulling of mediums has been a key element with in his paintings. This has allowed his exploration of cityscapes and the manipulation of light to be constantly moving forward and changing. As the cityscape changes with every new building or as the sun or moon changes with every new day.

                      The subject of his paintings is the manipulation of light in a cityscape and its modern architecture. It is the small details which help to build up his paintings. Through the use of photography and drawing Alex has been able to capture some of the development in London.

                      The details that can be seen in his work come from observing the city and its architecture. This has allowed Alex to experience the key details people notice. Why certain people stop to discover an architectural feature that catches their attention. It is these details that become noticeable in the drawings or paintings of architecture.

                      Alex Pearce’s painting style has taken on an abstracted yet romantic theme. The colours in his paintings being very nostalgic. This is key to creating the notion of silence and subtlety when being viewed. Together with this calming nature it is the dominant forms of the buildings and features that help to give presence to his paintings.

                      Categories:

                      • Paintings
                      • Photography

                      Mediums:

                      • Drawings
                      • Mixed Media
                      • Paintings on Canvas, Panels & Paper
                      • Pastels
                      • Photography

                      Subject Matter:

                      • Abstract
                      • Architectural
                      • Cityscape/Urban
                      • Landscape
                      • Seascape/Water
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                      The constant pushing and pulling of mediums has been a key element with in my paintings. This has allowed my exploration of cityscapes and the manipulation of light to be constantly moving forward and changing.

                      Alex Pearce

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                        Ian Turnock

                        Ian Turnock produces sculpture inspired by patterns and symmetry in nature. One of his main sources of inspiration are the silhouettes formed against the sky by tree foliage at different times of the year.

                        The spaces between the branches and leaves are just as important. A concept known in Japanese gardens as ‘Ma’, and is akin to the silences between the notes in music. Sometimes it is the gaps I am looking for just as much as the leaves themselves.

                        Ian Turnock has a background in graphic design which influences his exploration of form and line. Drawings and photographs are the starting point from which he develops organic, abstract and figurative sculpture.

                        Ian creates intricate and detailed drawings from which the final artwork is digitally cut. The designs can be cut in stainless steel, corten, aluminium, copper, reclaimed steel and plywood. This transforms the drawn line into a tangible object.

                        Categories:

                        • Sculpture

                        Sculpture Type:

                        • Exterior
                        • Interior

                        Mediums:

                        • Sculpture – Metal-Fabricated

                        Subject Matter:

                        • Abstract
                        • Animal/Botanical
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                        I create intricate and detailed drawings from which the final artwork is digitally cut into stainless steel, corten, aluminium, copper, reclaimed steel and plywood, transforming the drawn line into a tangible object.

                        Ian Turnock

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                          Wellington North

                          As part of the ongoing refurbishment project Art Contact was asked to supply artworks for the ground floor of the Wellington North Hospital. Working with the project management team a series of bespoke images were commissioned to complement the theme of the ground floor.

                          In keeping with the overall design the images were printed onto acrylic panels and installed using stainless steel stand-off fixings

                          Bespoke photographic collages were commissioned by Art Contact as artworks for the Wellington North Ground Floor to both enhance the design and to create a link to the local community.

                          A photographer was commissioned by Art Contact to photograph local landmarks and to create a series of photographic collages to enhance the design of the department and to create a sense of place within the locality.

                          • Object – Source & Select Artworks for the Ground Floor
                          • Client – HCA Wellington North Hospital
                          • Sector – Healthcare
                          • Location – St John’s Wood, London
                          • Status – Completed
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                          Curry Lover Lover

                          Curry Lover Lover required art to help improve the ambience of their restaurant – The Tamarind in Potters Bar. They had recently refurbished the restaurant and needed art to further enhance the ambience.

                          Art Contact sourced and selected the art which the client decided to rent rather than buy as it helped their cash flow following the refurbishment.

                          A large mirror was also included to bring more light into an otherwise slightly dark area in the restaurant.

                          The artworks were framed very simply in polished wooden frames and installed out of hours at the request of the client.

                          • Object – Source & Supply Rented art for Restaurant
                          • Client – Curry Lover Lover Ltd
                          • Sector – Hotel & Leisure
                          • Location – Potters Bar
                          • Status – On-going
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                          Max Mortiboys

                          Max Mortiboys paintings are as much about the denial of gesture as being a celebration of gesture. His work involves drawing, painting and scanning practices, with the idea of extracting and magnifying constantly.

                          His large scale paintings arise from an instinctive, almost chaotic process. This involves pulling apart and reassembling visual and material components.

                          The thick and unforgiving house gloss paint he uses, corresponds directly with the heavily primed white canvas, elevating every mark.

                          Hidden in the clean finished aesthetic of the paintings, a few tricks and games subtly occur. Be it the sudden ruptures in movement or variations in line and colour.

                          For his latest body of work, he uses a limited and bold colour palette on large scale canvas, translating the essence of his textural inspiration in a stripped back style into his own gestural language.

                          Max Mortiboys graduated from Chelsea College of Arts in 2018.

                          Categories:

                          • Paintings

                          Mediums:

                          • Paintings on Canvas

                          Subject Matter:

                          • Abstract
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                          My large scale paintings arise from an instinctive, almost chaotic process. This involves pulling apart and reassembling visual and material components.

                          Max Mortiboys

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                            David Dodsworth

                            David Dodsworth is a well established artist. The most common question he is asked is; “what kind of thing do you do”? The answer is always a different, generally reflecting the most recent works that he has been involved with.

                            In previous work he has looked closely at the imagery of prehistory, and calligraphy in many different language systems, using paint and print.

                            A commission for a series of glass bowls and sculptures being made in Los Angeles took his work in a totally new direction.

                            David Dodsworth has a wide range of interests and many of the pieces are derived from nature, architecture, and geometric composition. However, some things; his love of music, and its resonance for instance, is best expressed abstractly.

                            His approach is best described as eclectic (n) one who uses a method or approach that is composed of elements drawn from various sources or (in art) selecting what seems best from various styles, doctrines, ideas, methods, etc.

                            At the moment he is looking at the way that technology and digitisation can be used to obscure, reveal, or degenerate a figurative image, combined with layers of consciousness.

                            View Current Artworks

                            Categories:

                            • Paintings
                            • Prints

                            Other Categories:

                            • Glass – Sculptural Bowls

                            Mediums:

                            • Paintings on Canvas
                            • Paintings on Panels
                            • Paintings on Paper
                            • Prints – Artist Limited Editions

                            Subject Matter:

                            • Abstract
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                            At the moment I am looking at the way that technology and digitisation can be used to obscure reveal or degenerate a figurative image combined with layers of consciousness.

                            David Dodsworth

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                              Tamarind Restaurant Art Rental

                              Tamarind Restaurant Art Rental

                              Restaurant Art Rental – to introduce colour to the space. Bold colourful prints were selected to create the desired ambience at a competitive price.

                              Restaurant Art Rental – to introduce colour to the space. Bold colourful prints were selected to create the desired ambience at a competitive price.

                               

                                 

                              Jacqueline Real, painter and print maker, whose pictures unearth landscapes and nature buried deep in the unconscious. Above all, it is the colours which, in their harmonious composition and their precise contrasts result in a subliminal experience.

                              Annette Routledge, painter and print maker who studied at Brighton, Camberwell and Trinity College Dublin.

                              Susan Andreae

                              Susan Andreae is a sculptor and printmaker based in London.

                              Having grown up in London, she is fascinated by the complexity of living in the city – the crowds, commuters, architecture and energy of urban life.

                              She also travels frequently to Southern Italy and is inspired by the simplicity of the ancient architecture and colours of the Mediterranean.

                              Ideas evolve for Susan Andreae from things she sees and experiences and always from drawings made in situ, which start the creative process. She then experiments with techniques of layering using multiple images superimposed to arrive at a final image, eluding to the passing of time and historical change.

                              Categories:

                              • Prints
                              • Sculpture

                              Sculpture Type:

                              • Interior
                              • Tabletop

                              Mediums:

                              • Prints – Artist-Etchings
                              • Sculpture – Metal-Cast
                              • Sculpture – Concrete/Plaster/Ceramic

                              Subject Matter:

                              • Abstract
                              • Architectural
                              • Landscape
                              • Urban
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                              Having grown up in London, I am fascinated by the complexity of living in the city – the crowds, commuters, architecture and energy of urban life.

                              Susan Andreae

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                                Stella Corrall

                                Stella Corrall has delivered site-specific well-being solutions for healthcare, public sector and corporate buildings since 2004.

                                This broad portfolio of ambitious commissions is centred on delivering original concepts through to installed premium permanent artworks. She does not approach projects with preconceived ideas; rather the aim is to create a distinct and individual identity which is relevant and sensitive to each context with both material solutions and overall aesthetics.

                                With her wealth of experience and designed material combinations varying with each project’s requirements, from printed transparencies to our innovative in-house recycled plastics, clients can be sure to receive truly refreshing outcomes.

                                Stella Corrall is currently producing a suspended work for Huddersfield University’s new Art, Design & Architecture ‘Barbara Hepworth’ building using our bespoke recycled polycarbonate balanced with unique profiles housing LEDs.

                                Categories:

                                • Installations
                                • Wall Panels
                                • Other

                                Mediums:

                                • Installation
                                • Light
                                • Mixed Media
                                • Prints – Transparencies
                                • Plastic
                                • Other

                                Subject Matter:

                                • Abstract
                                • Animal/Botanical
                                • Landscape
                                • Site Specific Subject/Theme
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                                I do not approach projects with preconceived ideas; rather the aim is to create a distinct and individual identity which is relevant and sensitive to each context with both material solutions and overall aesthetics.

                                Stella Corrall

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                                  Julia Brooker

                                  Julia Brooker paints on aluminium because she was seduced by the way it reflects light off its metal surface through veils of transparent colour. She revels in the sumptuousness of paint as it sits on the cool surface and is driven in the attempt to make beautiful paintings.

                                  Some of her paintings have the instant appeal of vivid jewel like colours. Others are more subtle and layer veils of sepia, black, white and grey. Increasingly she combines drawing with painting to make multi layered paintings.

                                  ‘When the viewer gets close I hope they will enjoy the tiny accidental droplets that fall, the ‘hand-made-ness’ of the paintings. Closeness should offer up more, a desire to touch the surface, a stillness.’

                                  Julia Brooker studied ceramics before she became a painter. Those luscious crystalline glazed surfaces like cake icing on coarse clay, and her love of gorgeous textiles are both reflected in the surface qualities of her paintings. She finds ways to weave layers of paint and textures together. Julia is always pleased by the way people want to touch her paintings to see how they feel.

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                                  Categories:

                                  • Paintings
                                  • Wall Panels

                                  Mediums:

                                  • Painting on Panels
                                  • Acrylic Paint on Aluminium Panels

                                  Subject Matter:

                                  • Abstract
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                                  'When the viewer gets close I hope they will enjoy the tiny accidental droplets that fall, the 'hand-made-ness' of the paintings. Closeness should offer up more, a desire to touch the surface, a stillness.'

                                  Julia Brooker

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                                    Irma Irsara

                                    Irma Irsara has a special interest in ecology, conservation and climate change. These have always guided her creative practice. She was brought up in the foothills of Monte Croce in the Italian Dolomites. Where her paternal grandfather managed significant areas of woodland in Fanes National Park. This has always influenced he artwork.

                                    Irma studied at the Scuola d’Arte di Ortisei & Accademia di Belle Arti di Urbino, both in Italy, and St Martins School of Art. She also studied Country Care and Conservation at Capel Manor Horticultural College to develop her knowledge of Conservation.

                                    Her work encompasses a broad range of media and techniques: installations, video, bookworks,

                                    photography, prints and the pulp/cotton fibre works which represent a large part of her output.

                                    Her fibre art ‘pulp‘ work uses organic material and storm debris such as fallen bark. This is combined with pure cotton to create lyrical reflections of changes in natural forms. For example, her series ‘Watermarks’ explored rising water levels as evidenced in the lines on canal walls.

                                    Irma Irsara has shifted her focus to invisible nature, micro pollution and micro fibre plastics. Through the use of micro-photography, film and time lapse she has created a new range of artworks.

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                                    Categories:

                                    • Prints
                                    • Photography
                                    • Digital
                                    • Installations
                                    • Other – Paper Pulp Artworks

                                    Mediums:

                                    • Digital
                                    • Installation
                                    • Light
                                    • Paper/Paper Pulp

                                    Subject Matter:

                                    • Abstract
                                    • Landscape
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                                    My fibre art ‘pulp‘ work uses organic material and storm debris such as fallen bark. This is combined with pure cotton to create lyrical reflections of changes in natural forms.

                                    Irma Irsara

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                                      Alberto Fusco

                                      Alberto Fusco creates wall panels made up with folded and manipulated paper. The intricately folded paper is transformed into textural geometrical forms becoming sculptural pieces in their own right.

                                      In recent years his work has developed and is widely exhibited and is included in several corporate collections.

                                      His work is often displayed behind a perspex cover to protect the artwork from damage and the ingress of dust. This also gives the artwork a jewel like property.

                                      Alberto Fusco now concentrates on site specific commissions for both corporate and private collections.

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                                      Categories:

                                      • Installations
                                      • Wall Panels

                                      Mediums:

                                      • Mixed Media
                                      • Printed Paper Folded and set into Panel

                                      Subject Matter:

                                      • Abstract
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                                        Claire Brewster

                                        Since Claire Brewster could first pick up a pencil, art was the only thing she was really interested in. Her journey to become a professional artist has involved living in Spain and Romania and working for a high profile architects practice. All the time working away developing her art.

                                        Claire grew up in Lincolnshire and has been living and working in London for over 20 years. She has been pursuing art as a profession since 2000 and recently made the jump to work on my sculptures full-time. She is grateful to have had the opportunity to exhibit her work widely – from Manchester Art Gallery to Sydney, Australia.

                                        Claire Brewster has also been lucky enough to have her work published in many magazines and books including – Vogue, World of Interiors, Marie-Claire Maison, Casa de Arbitrare, Paper, Tear, Fold, Rip, Crease, Cut – Black Dog publishing and Underground Maps – Lund Humphries.

                                        Claire is pleased to say she was invited to be an inaugural member of the Perrier Jouet Art Salon and Prize. The salon met twice a year and awarded a prize to an artist/designer within 5 year of graduating.

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                                        Categories:

                                        • Paintings
                                        • Installations

                                        Mediums:

                                        • Mixed Media
                                        • Collage
                                        • Acrylic Ink and Paint on Canvas
                                        • Sculpture – Paper

                                        Subject Matter:

                                        • Abstract
                                        • Portrait/Figurative
                                        • Animal/Botanical
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                                          Michelle House

                                          Michelle House is an abstract artist with over 20 year’s experience creating unique textile artworks and digital art prints. Her inspiration comes from the patterns and geometry within architecture. As well as the physical mixing and layering of colours, the texture of cloth and the print process.

                                          Michelle House moved from painting and collage on paper to applying the same approach with textiles. Taking photographs and making drawings, she then edits and designs on a computer, before transferring her photographic images to silkscreens.

                                          Michelle uses screens in conjunction with hand-cut stencils as a palette from which to select and build up her final composition. Using imagery and colour in an abstract way to create focal points, balance and space.

                                          The dye’s and pigments, in combinations of transparent and opaque layers, are screen-printed and painted on to differently textured fabrics, which are then meticulously sewn together to make a single piece, or series of related works.

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                                          Categories:

                                          • Prints
                                          • Digital
                                          • Wall Panels
                                          • Textiles & Rugs

                                          Textile Type:

                                          • Textiles
                                          • Wall Hangings
                                          • Rugs

                                          Mediums:

                                          • Collage
                                          • Digital
                                          • Prints – Artist
                                          • Prints – Other

                                          Subject Matter:

                                          • Abstract
                                          • Architectural
                                          • Cityscape/Urban
                                          • Interiors
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                                          My inspiration comes from the patterns and geometry within architecture. As well as the physical mixing and layering of colours, the texture of cloth and the print process.

                                          Michelle House

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                                            Zac Greening

                                            Zac Greening draws his inspiration principally from nature – ‘the ultimate sculptress’. He finds the sculptural forms created by the sun, moon, waves and trees particularly inspiring as symbols of sustainability.

                                            He works in a wide range of media from discarded plastic bottles to organic matter. Often these materials are fused together to reinforce the aesthetic or narrative that he’s looking to express.

                                            A narrative is created that highlights the relationship between man and the natural environment.

                                            Common themes found in his work often abstractly express or make a comment on current issues. Issues such as sustainability, environmental degradation, or consumption. Alternatively they may simply be an expression of the marvel and awe he sees in a sunset or the kinetic and meditative experience found in the rolling of sea waves.

                                            Zac Greening communicates and reminds the viewer of mankind’s inextricable socio-economic and spiritual link with the natural world

                                            Categories:

                                            • Sculptures
                                            • Installations
                                            • Wall Panels

                                            Sculpture Type:

                                            • Exterior
                                            • Interior

                                            Medium:

                                            • Mixed Media
                                            • Recycled Materials
                                            • Wood
                                            • Other

                                            Subject Matter:

                                            • Abstract
                                            • Animal/Botanical
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                                            A narrative is created that highlights the relationship between man and the natural environment. Common themes found in my work often abstractly express or make a comment on current issues.

                                            Zac Greening

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                                              Allan Forsyth

                                              Allan Forsyth (b. 1971) is a photographic artist based in London. Forsyth’s work explores a breadth of themes, reflected in the range of techniques he employs. Analogue and digital exposures taken by the artist exist in his work, alongside computer generated imagery, photograms, and photographic collages from historic magazines and vintage postcards.

                                              Forsyth’s work conveys his love of the drama of nature, seeking to expand the beauty of natural forms that we sometimes overlook in everyday life showing an extra dimension in his work. The resulting works are mesmerising, vivid images of flora and fauna created by Forsyth using various photographic techniques to enhance colour and create movement.

                                              Allan Forsyth often uses extensive digital manipulation in editing his images, resulting in a photographic aesthetic that is highly stylised and immediately recognisable. He identifies himself as ‘an artist that uses photography’ rather than a photographer, emphasising the importance of the image over the tools and processes. This move away from the camera has also led Forsyth to explore camera-less photo imaging techniques like the photogram, a Victorian Era process in which light projected onto photosensitive paper captures the silhouette of an object placed in front of it.

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                                              Categories:

                                              • Photography

                                              Mediums:

                                              • Photography
                                              • Photomontage
                                              • Photograms

                                              Subject Matter:

                                              • Abstract
                                              • Animal/Botanical
                                              • Still Life
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                                              My work conveys my love of the drama of nature, seeking to expand the beauty of natural forms that we sometimes overlook in everyday life showing an extra dimension in his work.

                                              Allan Forsyth

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                                                Kim Baker

                                                Kim Baker bases her work on nature and nature morte as a motif. She combines this with abstract expressionism and the materiality of paint. She uses the motifs of flora, forests and fauna whilst retaining a gestural and layering technique. Kim often paints over an existing painting which can give the works a sense of history and depth.

                                                Influences include Dutch 17th Century floral still life’s, the baroque painting of Murillo, the chiaroscuro of Caravaggio and American abstract expressionism of the 1950’s especially De Kooning.

                                                “Kim Baker’s striking oil paintings take inspiration from the memento mori tradition as it evolved in seventeenth century Dutch still life’s. Her canvases thus feature flowers, birds and insects, the traditional motifs of these earlier works, while retaining a spontaneous technique characteristic of more recent times. Baker often reworks her canvases repeatedly, painting one image on top of another until the finished work tells an additional story; that of its own genesis.”

                                                Nature Morte. Contemporary artists reinvigorate the Still Life tradition.
                                                Michael Petry
                                                Thames and Hudson.

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                                                Categories:

                                                • Paintings

                                                Mediums:

                                                • Paintings on Canvas

                                                Subject Matter:

                                                • Abstract
                                                • Animal/Botanical
                                                • Still Life
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                                                Kim Baker’s striking oil paintings take inspiration from the memento mori tradition as it evolved in seventeenth century Dutch still life's.

                                                Michael Petry - Thames and Hudson

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                                                  Mark Godwin

                                                  The motif of Landscape has been a major part of the work of Mark Godwin for over 30 years. He has been greatly influenced by the 18th century Romantic notion of the Sublime, and our longing for an emotional encounter with nature.

                                                  These paintings are about finding a visual equivalent for his sensation before nature. They are paintings about the poetic idea of landscape. There is a nostalgia, and timelessness about his work, and a conscious blurring of the boundaries between abstraction, and representation. They are landscape of the imagination. They are paintings about feelings.

                                                  Mark Godwin began his artist training at Stourbridge College of Art and progressed on to Central School of Art, the Royal College of Art and Cite Internationale des Artistes in Paris. Following his training Mark went onto work as a copperplate printer for Palm Tree Editions, Albion Editions and London Contemporary Art.

                                                  Since then Mark has set up his own studio to develop his practice concentrating on painting and printing. He has exhibited extensively and his work has been included in many collections both private and corporate.

                                                  Categories:

                                                  • Paintings
                                                  • Prints

                                                  Mediums:

                                                  • Painitngs on Canvas
                                                  • Paintings on Paper
                                                  • Screen Prints
                                                  • Etchings

                                                  Subject Matter:

                                                  • Abstract
                                                  • Landscape
                                                  • Cityscape
                                                  • Seascape
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                                                  These paintings are about finding a visual equivalent for my sensation before nature.

                                                  Mark Godwin

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                                                    Claire Malet

                                                    Claire Malet produces work is inspired by natural forms and landscapes. Fragments of sea-worn shells, the rock formations of a battered coastline, a curl of split bark, the dancing light and shadow of woodland all give inspiration.

                                                    I also draw inspiration directly from the characteristics of the medium. Working intuitively is key, allowing the metal to suggest a direction and find a relationship with the subject matter. I work in silver, copper, steel and ‘found metals’

                                                    Claire Malet is exhibited internationally, with gallery representation in UK, USA, Australia and Ireland.

                                                    I have pieces in several public collections, including the Victoria & Albert Museum and the National Museum Cardiff. Awards include Goldsmiths’ Fair Best New Design Award 2014.

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                                                    Categories:

                                                    • Sculpture
                                                    • Installations
                                                    • Accessories

                                                    Sculpture Type:

                                                    • Interior
                                                    • Tabletop

                                                    Mediums:

                                                    • Sculpture – Metal-Cast
                                                    • Sculpture Metal-Fabricated
                                                    • Gilding

                                                    Subject Matter:

                                                    • Abstract
                                                    • Natural Forms
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                                                    My work is inspired by natural forms and landscapes: fragments of sea-worn shells, the rock formations of a battered coastline, a curl of split bark, the dancing light and shadow of woodland.

                                                    Claire Malet

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                                                      Helen Lack

                                                      Helen Lack is a contemporary artist working in the UK and producing large format and statement art. She has a unique style which is energetic, individual and vibrant with an urban edge.

                                                      Her work has been described as having a richness of colours with a Pollock style, depicting the Abstract Expressionist movement. This has created a significant level of interest among galleries and collectors. As well as a healthy demand by companies requiring “office art”.

                                                      Helen paints by combining many layers and thick brushstrokes using mixed media and drip techniques. She conveys emotion in all her works, which is received by the viewer as intriguing and involving.

                                                      Her works are inspired by current events and environmental concerns. Her paintings showing passion and vibrancy as well as reflection and colour to her audience.

                                                      Helen Lack has displayed her collections in contemporary shows, collaborated with other artists and curated her own solo exhibitions. All have attracted media interest in the UK and Europe and have received much acclaim.

                                                      Her works have been exhibited in many prestigious galleries in London and New York, creating a truly international appeal. In addition, one prestigious gallery has asked for her works in Italy for very high-profile collectors.

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                                                      Categories:

                                                      • Paintings
                                                      • Prints
                                                      • Installations

                                                      Mediums:

                                                      • Collage
                                                      • Mixed Media
                                                      • Large Statement Paintings on Canvas, Panels and Paper
                                                      • Prints – Artist and Other

                                                      Subject Matter:

                                                      • Abstract
                                                      • Cityscape/Urban
                                                      • Geographical
                                                      • Interiors
                                                      • Landscape
                                                      • Portrait/Figurative
                                                      • Seascape/Water
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                                                      My work has been described as having a richness of colours with a Pollock style, depicting the Abstract Expressionist movement.

                                                      Helen Lack

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