Katayoun Dowlatshahi

Katayoun Dowlatshahi graduated in Fine Art Printmaking from Edinburgh. Received an MA in European Art from Barcelona and Winchester. Katayoun was awarded a Doctorate (PhD) in Drawing and Photography from The University of Gloucestershire with a specialism in Carbon Photography (a 19th century photographic process). Since 1995 she has lectured in a number of universities as well developing her practice as a full-time professional artist. In more recent years she has worked with children within school settings.

She has been awarded several national and international residencies, fellowships and has continued to exhibit regularly, both in the UK and abroad.

Katayoun Dowlatshahi works in fine print, analogue/digital photography, drawing and architectural glass, using combinations of these in her work. She creates site responsive works that link landscapes with memory and place. Her major achievements are in public art and in her unique constructed photographic artworks, some of which have been acquired for private collections.

One of Katayoun’s skills is her ability to collaborate with urban design teams on significant regeneration projects across the UK, to integrate art into the fabric of new developments and heritage sites. Placemaking is at the heart of her practice.

Categories:

  • Prints
  • Photography
  • Digital
  • Installations
  • Glass

Mediums:

  • Collage
  • Digital
  • Mixed Media
  • Pastel
  • Photomontage
  • Prints – Etchings & Screenprints
  • Video/Film

Subject Matter:

  • Abstract
  • Architectural
  • Landscape
  • Seascape/Water
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    Tom Waugh

    Tom Waugh MRSS is a British sculptor based in Somerset. He has been an associate member of the Royal Society of Sculptors since 2018. In 2005 he gained a First in Architectural Stone Carving at the City and Guilds of London Art School and has spent time in India studying traditional carving techniques with the temple carver Raja Saceran.

    ‘I find it fascinating that sculpture has the ability to cause a shift in people’s perception. In my work I hope to challenge ideas of material value and make people look again at the things we take for granted.’

    Tom Waugh carves stone and marble in minute detail to mirror the discarded waste of human consumption. These objects document the tiny imprints of human use. Plastic bags, cardboard boxes and tin cans are squashed, crushed and wrinkled whilst still displaying the traces of mass production.

    His carving can be seen on St Pancras Station, St Martin in the fields and St Georges Chapel, Windsor. His Sculptures are exhibited widely and can be seen in the collections of Warwick University and Gladstone’s Library.

    Categories:

    • Sculpture

    Type:

    • Exterior
    • Interior
    • Tabletop

    Medium:

    • Stone

    Subject Matter:

    • Hyper-Realistic
    • Still Life
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    I find it fascinating that sculpture has the ability to cause a shift in people’s perception. In my work I hope to challenge ideas of material value and make people look again at the things we take for granted.

    Tom Waugh

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      Sue King

      Sue King is inspired by colour & light. She designs and creates vibrant kiln-formed glass for residential and commercial interior projects, including specialising in healthcare commissions. Her work also includes smaller items such as hanging panels and tableware using a contemporary style and colour palettes.

      Originally qualifying with BA Interior Design. Sue worked for various hotel design practices, before running her own design consultancy for many years. She studied Glass with Architecture/Fine Art at Central St Martins College of Art & Design in 2002.

      All of Sue’s work is imbued with a passion for colour, taking inspiration from artists, nature and pattern and her own photography/artwork. She has developed a fluid technique of working in a painterly style whereby coloured glass is cut freehand, overlaid onto clear glass and then fired at temperatures of around 810 degrees to fuse together. Her designs are all unique and one off pieces.

      Sue King’s commissions are developed closely with clients using hand drawn watercolour sketches that are then translated into glass. This helps her clients to see a visual representation of their vision and ideas so they are fully involved throughout the commission process.

      Sue enjoys exploring how glass interacts with light and often incorporates textural markings to bring out these qualities. Glass shows its best qualities when displayed in natural light, which then throws beautiful colour shadow washes into the surrounding space.

      Larger commissions include panels for healthcare projects, as well as contemporary stylish sculptures for a Saudi Arabian hotel, panels for Molton Brown in New York and many glass installations for private homes.

      Categories:

      • Glass

      Glass Type:

      • Accessories
      • Wall Panels

      Mediums:

      • Mixed Media
      • Stained Glass

      Subject Matter:

      • Abstract
      • Architectural
      • Interiors
      • Landscape
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      My commissions are developed closely with clients using hand drawn watercolour sketches that are then translated into glass. This helps her clients to see a visual representation of their vision and ideas so they are fully involved throughout the commission process.

      Sue King

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        BlinkArt

        BlinkArt uses photographic and digital techniques to create art works with a strong emphasis on colourful layered imagery. By manipulating the colour, texture, light and shape of these layers they have developed techniques that allow it to enhance ideas, concepts, compositions, and subject matter. Inspiration comes from the development, experimentation and evolution of individual projects.

        BlinkArt has been working closely with clients, designers and consultants for over 20 years creating original, bespoke commissioned artworks.

        With an emphasis on architecture, nature and abstract elements they create dynamic large scale works using photographic and digital techniques. Works can be produced on various substrates including acrylic, aluminium and glass.

        Amongst others BlinkArt has produced work for offices, healthcare, retail and private clients. Whilst working on site specific projects they can incorporate local architectural elements into the work to create original ideas that are both relevant and visually engaging.

        Categories:

        • Prints
        • Photography
        • Digital
        • Wall Panels

        Mediums:

        • Digital
        • Photography
        • Photomontage
        • Prints – Digital
        • Prints – Other

        Subject Matter:

        • Abstract
        • Animal/Botanical
        • Architectural
        • Cityscape/Urban
        • Geographical
        • Landscape
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          Colin Rose

          Colin Rose has worked as a sculptor for over thirty years. He has exhibited throughout the UK and Europe and has undertaken many public sculpture commissions.

          He has undertaken public sculpture commissions for a very wide range of clients in various mediums. Colin usually works by taking a brief from the client and allowing the brief and the site to lead the design. Over the years he has worked in a variety of mediums from mirror polished stainless steel to stone. More unusually he has worked with Rope, Brick and even Coal Dust depending on the requirement of the brief.

          While developing his practice Colin taught fine art and was head of Sculpture at Sunderland University from 2000 till 2006.

          In addition to making sculpture, Colin Rose has a strong passion for drawing and the immediacy the process offers. The understanding gained through drawing is an important tool in the development of his designs and his working practice.

          Categories:

          • Sculptures
          • Paintings
          • Other

          Sculpture Types:

          • External
          • Internal
          • Tabletop

          Mediums:

          • Drawings
          • Paintings on Canvas
          • Sculpture – Metal Fabricated
          • Sculpture – Mixed Media
          • Sculpture – Resin
          • Sculpture – Other (Rope, Brick & Coal Dust)

          Subject Matter:

          • Abstract
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            Stuart Redler

            Stuart Redler was brought up on a farm in Somerset, England. He moved to London aged 18 to study economics, then photography. After college he spent 15 years photographing advertising campaigns for companies such as Volvo, IBM and Deutsche Bank. Since then he has concentrated on fine art photography.

            Stuart’s interest in far flung (and near) places and cultures has resulted in his unusual photographs of architecture, people and nature. The unexpected and sometimes humorous subject matter, combined with the intense contrasts of black and white and use of strong light, give his pictures their stark and unique style.

            As well as appearing in numerous private collections his work is included in the permanent collection at The National Portrait Gallery in London and has also been exhibited at the Victoria and Albert Museum.

            His work has appeared in publications including The Times, The Daily Telegraph, The Independent on Sunday, Conde Nast Traveller and House & Garden.

            Stuart Redler has received a number of awards, including six from The Association of Photographers who awarded him Gold for his portfolio of architectural images. He has also received awards from Graphis, PDN and Communication Arts.

            To coincide with his exhibition Timbuktu to W2, and in conjunction with the Cultural Mission of Timbuktu, Stuart set up a competition to find a British town to twin with Timbuktu in Mali. Hay-on-Wye eventually won, having beaten off competition from over 40 towns and cities.

            Categories:

            • Photography

            Mediums:

            • Photography
            • Pigment Prints on Cotton Paper

            Subject Matter:

            • Abstract
            • Architectural
            • Cityscape/Urban
            • Portrait/Figurative
            • Landscape
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              Louise Plant

              Louise Plant creates sculpture inspired by the dynamics of movement. She works with marble, stone, bronze, cast iron and steel and has a particular feel for the direction the material wants to go. Her sculptures are visually striking with a wonderful sense of aliveness and  character.

              Louise studied sculpture with the Open College of the Arts in 1992, whilst working full time as a teacher. Leaving teaching in 1994, Louise continued to study and make sculpture. She was elected Member of the Royal Society of Sculptors in 2003 and became Fellow in 2014.

              Louise Plant has exhibited widely including MOCA, Cheeseburn Grange, Asthall Manor, New Walk Museum and Art Gallery, the Usher and Wysing Arts.

              Awards include the Brian Mercer Scholarship, Studio Sem, Italy, the KKV Bohuslän Scholarship, Sweden and the Year of the Artist Award, Arts Council England.

              Her work is held in private collections globally and she has been commissioned by the MOD Northwood, the RNIB Loughborough, Durham County Council, Somerset County Council and the Waldorf Astoria Bangkok.

              View Current Artworks

              Categories:

              • Sculptures
              • Prints

              Mediums:

              • Drawing
              • Prints – Screenprints
              • Prints – Other
              • Sculpture – Metal-Cast
              • Sculpture – Metal-Fabricated
              • Sculpture – Stone

              Subject Matter:

              • Abstract
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                Lizzie Farey

                Lizzie Farey’s intricate structures capture a still moment, a distillation and order. Calm after a storm.

                Intimate forms provide a hint of the process of creation. We can see and even feel points of tension in the work. Our eye can follow the artist’s hand, the choices made in twisting and turning this flexible medium.

                Born in Singapore, for the last 30 years Farey has been based in rural Galloway, in Scotland’s South West. The rural setting of home and studio are her guiding inspiration, her sensitivity with wood revealing an interaction with nature that is deeply personal.

                Lizzie Farey grows much of her own pallet of artist’s materials. Planting, tending and harvesting a range of willow which is grown for both texture and colour.

                Willow, it’s flow of flex and tension is often manipulated into rhythmic patterns, Artist, willow, form, each unique, reach a perfection as the work comes together, inner creative process and final form working as one.

                ‘My work engages with nature. I focus on recreating the essence of natural form through the medium of willow, larch, ash, hazel and other locally grown woods. Influences from Japan continue to inspire my attempts to capture the simplicity, practicality and beauty of the materials.’

                Categories:

                • Sculpture
                • Wall Panels

                Sculpture Type:

                • Interior

                Mediums:

                • Sculpture – Wood
                • Woven Willow

                Subject Matter:

                • Abstract
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                ‘My work engages with nature. I focus on recreating the essence of natural form through the medium of willow, larch, ash, hazel and other locally grown woods. Influences from Japan continue to inspire my attempts to capture the simplicity, practicality and beauty of the materials.’

                Lizzie Farey

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                  Jo Beattie

                  Jo Beattie – ‘Memories are those precious moments that tell our story’

                  Her work is a reflection on our own memories and also our shared past experiences expressed by ‘drawing with a sewing machine’. Shapes, textures, patterns and colours define us in a time, a place and a culture.

                  In the last few years the subject matter of her work has ranged from intimate scenes of everyday life to ‘Conversations’ within groups of people I have seen throughout my travels and more recently the discovery of the memories evoked by ‘Old Toys.’ I have been surprised by how emotional and important these can be.

                  Jo’s work uses shadow to reflect the image of our collective memories and identity. She has become interested in the way her artwork can enhance the idea of memory by having a shadow of the image reflected onto a plain background a distance away from the actual work. This enables the shadow to become larger and more defined. The work is produced in any way that best creates the atmosphere she is trying to evoke.

                  Jo Beattie predominantly uses a machine stitch with see-through backgrounds such as wire mesh and Perspex to allow shadows to become an integral part of the work.

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                  Memories are those precious moments that tell our story

                  Jo Beattie

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                    Martha Winter

                    Martha Winter was born and grew up in London. Her work is the unusual outcome of many influences. Growing up with minimal art and modern architecture influenced her visual language of reduced and economical form.

                    Martha is fascinated by systems, repetition and order, often working in series. She has regularly witnessed the extreme erosion of the coastline, which has given her an interest in the natural processes which form the landscape.

                    Martha Winter has developed her own unique processes, creating pieces reminiscent of satellite imagery and microscopy.

                    Through her work, she seeks to reach a combination of these ingredients, aiming for a point of tension and harmony where a frisson occurs.

                    View Current Artworks

                    Categories:

                    • Wall Panels
                    • Paintings

                    Wall Panel Type:

                    • Contemporary
                    • Relief Panel Painting

                    Mediums:

                    • Mixed Media
                    • Painting on Panel

                    Subject Matter:

                    • Abstract
                    • Architectural
                    • Geographical
                    • Landscape
                    • Seascape/Water
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                    Growing up with minimal art and modern architecture influenced my visual language of reduced and economical form.

                    Martha Winter

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                      Luke Elwes

                      Luke Elwes (b.1961) lives and works in London. He studied at Bristol University, Camberwell School of Art and Birkbeck, London University (Art History MA 2007).

                      Throughout the 1990s he travelled extensively, discovering and revisiting remote desert and mountain locations in India, Asia and North Africa. In 1998 he was artist in residence on an expedition to Mount Kailash, a holy mountain in western Tibet.

                      Since 2000 he has worked for extensive periods on an island off the East Coast of the UK. In 2013 he was awarded a grant to study at the Vermont Studio Centre and in 2015 he was resident artist at the Albers Foundation (USA). In 2011 he was invited to give an ‘Artist’s Eye’ talk at the National Gallery.

                      The idea of a journey is central to Luke Elwes paintings, both its physical and temporal unfolding and its recollection in memory. As well as recording particular journeys, the paintings reveal, like a hieroglyphic text, the many layers of history buried beneath the surfaces of these places. Rooted in the particular, the images also probe an interior space. They become maps of the ‘geographical unconscious’, suggesting both the trail of our presence and the passage of time.

                      View Current Artworks

                      Categories:

                      • Paintings

                      Mediums:

                      • Mixed Media
                      • Paintings on Canvas
                      • Paintings on Paper

                      Subject Matter:

                      • Abstract
                      • Landscape
                      • Seascape/Water
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                      The idea of a journey is central to my paintings, both its physical and temporal unfolding and its recollection in memory.

                      Luke Elwes

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                        Pierre Diamantopoulo

                        Pierre Diamantopoulo has two distinct strands to his figurative style. They seem to be intellectually and emotionally worlds apart, but they share the same impetus.

                        One is a cool and measured response to a profound sense of unrest. In this work, figures fly in defiance or are challenged by their environments. They ‘trippingly’ negotiate upheaval or uncertainties — each work is a balancing act, a metaphor for a precarious state of living or existence. Androgynous and anonymous human figures tilt and fall away – on and off objects that also teeter on a chaotic or shifting stage. Figures may be set free against strongly convergent lines, shapes and forms.

                        The other strand of Pierre Diamantopoulo’s practice is ambiguous, allegorical and atavistic, but still concerned with mercurial forces. Here, he works on impulse— mixing dark foolery, the poetic and the literary with theatre and folklore— blended with a sort of logical nonsense. This may be a voyage into the past, personal or absurd, diverted by the raw and primitive, with the wit, the mimic and maverick on board. These works are often executed with an immediate, freer hand, exploiting the texture of the raw material.

                        Categories:

                        • Sculptures
                        • Paintings

                        Sculpture Type:

                        • Exterior
                        • Interior
                        • Tabletop

                        Mediums:

                        • Metal-Cast Sculpture
                        • Metal-Fabricated Sculpture
                        • Paintings on Canvas
                        • Paintings on Paper

                        Subject Matter:

                        • Abstract
                        • Animal/Botanical
                        • Portrait/Figurative
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                        There are two distinct strands to my figurative style. They seem to be intellectually and emotionally worlds apart, but they share the same impetus.

                        Pierre Diamantopoulo

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                          Dorothy Brook

                          Dorothy Brook became a sculptor in a roundabout way. She had studied Graphic Design at St Martins School of Art and worked as a freelance designer for about 10 years. When circumstances changed, a friend suggested she join a sculpture class. She loved it having no idea that she would be able to work in three dimensions having been used to seeing everything from a graphic and linear perspective.

                          To her surprise her graphic background gave her work a very different look. The lines and curves have to flow when viewed from every angle. The form is pared down until all that is left is its essence. Ultimately the aesthetic of the piece is the most important element.

                          Although Dorothy may start a sculpture with an armature and an idea of what she is going to make, it very often changes during the process. It is the sculpture that dictates where it is going and she follows, refining the lines as it progresses. Usually working in plaster as she finds it is easier to achieve the sharp edges and smooth surfaces that define her style. ‘I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.’

                          Dorothy Brook still loves the process as much as she did in that first sculpture class. The realisation that her drawings can and have come to life is very satisfying, not bad for a Graphic Designer!

                          Categories:

                          • Sculpture
                          • Paintings

                          Sculpture Types:

                          • Exterior
                          • Interior

                          Mediums:

                          • Sculpture – Metal-Cast
                          • Sculpture – Resin
                          • Painting on Paper
                          • Pastels
                          • Drawing

                          Subject Matter:

                          • Abstract
                          • Figurative
                          • Landscape
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                          'I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.'

                          Dorothy Brook

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                            Artful Dodger

                            Artful Dodger is widely credited with being one of the first Aerosol Writers/Urban Artists to emerge from the UK, serving as an influence to some of today’s top UK Urban Artists. Over the years, he has evolved professionally to have clients which include the BBC, Channel 4, EA Games, LucasFilm (Star Wars), MTV, The South Bank Show, as well as a well-known breakfast cereal.

                            On the community arts side of his portfolio, he has a strong background in both organising and facilitating a variety of creative mural projects and workshops. Working mainly in inner cities with disadvantaged youth and other young people (through children’s arts charities such as SP8 Of The Art).

                            He has also been involved in projects in the US, Italy, France, Spain, Hungary, Romania and Ukraine, as well as all over the UK. One of his projects on the now fallen Aylesbury Estate in SE London, even won an award from the late Princess of Wales.

                            Employing an eclectic palette of media, ranging from spray-paint and acrylics to pastels and graphics tablets, he takes the inspiration for his paintings from the intrinsic beauty of nature, as well as a vast range of musical styles, urban and pop culture influences. Along with this, he describes his work as being a combination of ‘liquid light’ and ‘visual music’.

                            Categories:

                            • Paintings
                            • Prints – Artist
                            • Digital
                            • Wall Panels
                            • Other – Murals

                            Mediums:

                            • Digital
                            • Mixed Media
                            • Paintings on Canvas & Paper
                            • Photomontage
                            • Spray paint Graffiti
                            • Video/Film

                            Subject Matter:

                            • Abstract
                            • Architectural
                            • Cityscape/Urban
                            • Interiors
                            • Music
                            • Portrait/Figurative
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                              Jacqueline Real

                              Jacqueline Real was born in Zurich and studied in Switzerland and Austria.

                              “To me, painting means feeling intensely, living, expressing the inexpressible with paint. It means listening to your innermost self, being quiet, being impulsive, marvelling, hoping – seeing the light and being overwhelmed.”

                              Jacqueline Real’s pictures unearth landscapes and nature buried deep in the unconscious. Above all, it is the colours which, in their harmonious composition and their precise contrasts result in a subliminal experience.

                              She has had many Solo and Group Exhibitions in Switzerland, England, Germany and USA. Jacqueline is a member of Visarte, Switzerland and Fellow of Free Painters and Sculptors, London.

                              Jaqueline Real has work in many private and public collections including Risk Publications, UBS, CS, Tokio Bank, British Government, Crown Court Truro, Marc Rich, Johnson & Johnson, Strutt & Parker, Morgan, Lewis and Bockius, SmithKline Beecham, Holiday Inn Express etc….etc

                              View Current Artworks

                              Categories:

                              • Paintings
                              • Prints

                              Mediums:

                              • Collage
                              • Painting on Canvas & Paper
                              • Paper/Paper Pulp
                              • Prints – Artist

                              Subject Matter:

                              • Abstract
                              • Landscape
                              • Seascape/Water
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                              To me, painting means feeling intensely, living, expressing the inexpressible with paint. It means listening to your innermost self, being quiet, being impulsive, marvelling, hoping - seeing the light and being overwhelmed.

                              Jacqueline Real

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                                Philip Melling

                                Philip Melling works predominantly in metals creating an eclectic range of sculpture for exhibition, private clients and public installation.

                                He draws inspiration mostly from the materials he uses. Through concepts of movement and through experimentation he develops the shape of his sculptures.

                                His collection ‘Elements’ focuses on Earth, Air, Water and Fire and describing the reaction when those elements meet.

                                In developing the collection Philip Melling concentrated on using a repetitive form – curved metal bars, to generate concepts and capture the movement of elemental reactions.

                                Philip’s sculptures are designed to work as sculptures for the home, office and garden, as well as larger scale installations for private or public spaces.

                                Categories:

                                • Sculptures

                                Sculpture Type:

                                • Exterior
                                • Interior

                                Mediums:

                                • Sculpture – Metal-Fabricated

                                Subject Matter:

                                • Abstract
                                • Architectual
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                                  Alex Pearce

                                  Alex Pearce is a painter of cityscapes and other landscapes.

                                  The constant pushing and pulling of mediums has been a key element with in his paintings. This has allowed his exploration of cityscapes and the manipulation of light to be constantly moving forward and changing. As the cityscape changes with every new building or as the sun or moon changes with every new day.

                                  The subject of his paintings is the manipulation of light in a cityscape and its modern architecture. It is the small details which help to build up his paintings. Through the use of photography and drawing Alex has been able to capture some of the development in London.

                                  The details that can be seen in his work come from observing the city and its architecture. This has allowed Alex to experience the key details people notice. Why certain people stop to discover an architectural feature that catches their attention. It is these details that become noticeable in the drawings or paintings of architecture.

                                  Alex Pearce’s painting style has taken on an abstracted yet romantic theme. The colours in his paintings being very nostalgic. This is key to creating the notion of silence and subtlety when being viewed. Together with this calming nature it is the dominant forms of the buildings and features that help to give presence to his paintings.

                                  Categories:

                                  • Paintings
                                  • Photography

                                  Mediums:

                                  • Drawings
                                  • Mixed Media
                                  • Paintings on Canvas, Panels & Paper
                                  • Pastels
                                  • Photography

                                  Subject Matter:

                                  • Abstract
                                  • Architectural
                                  • Cityscape/Urban
                                  • Landscape
                                  • Seascape/Water
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                                  The constant pushing and pulling of mediums has been a key element with in my paintings. This has allowed my exploration of cityscapes and the manipulation of light to be constantly moving forward and changing.

                                  Alex Pearce

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                                    Ian Turnock

                                    Ian Turnock produces sculpture inspired by patterns and symmetry in nature. One of his main sources of inspiration are the silhouettes formed against the sky by tree foliage at different times of the year.

                                    The spaces between the branches and leaves are just as important. A concept known in Japanese gardens as ‘Ma’, and is akin to the silences between the notes in music. Sometimes it is the gaps I am looking for just as much as the leaves themselves.

                                    Ian Turnock has a background in graphic design which influences his exploration of form and line. Drawings and photographs are the starting point from which he develops organic, abstract and figurative sculpture.

                                    Ian creates intricate and detailed drawings from which the final artwork is digitally cut. The designs can be cut in stainless steel, corten, aluminium, copper, reclaimed steel and plywood. This transforms the drawn line into a tangible object.

                                    Categories:

                                    • Sculpture

                                    Sculpture Type:

                                    • Exterior
                                    • Interior

                                    Mediums:

                                    • Sculpture – Metal-Fabricated

                                    Subject Matter:

                                    • Abstract
                                    • Animal/Botanical
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                                    I create intricate and detailed drawings from which the final artwork is digitally cut into stainless steel, corten, aluminium, copper, reclaimed steel and plywood, transforming the drawn line into a tangible object.

                                    Ian Turnock

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                                      Max Mortiboys

                                      Max Mortiboys paintings are as much about the denial of gesture as being a celebration of gesture. His work involves drawing, painting and scanning practices, with the idea of extracting and magnifying constantly.

                                      His large scale paintings arise from an instinctive, almost chaotic process. This involves pulling apart and reassembling visual and material components.

                                      The thick and unforgiving house gloss paint he uses, corresponds directly with the heavily primed white canvas, elevating every mark.

                                      Hidden in the clean finished aesthetic of the paintings, a few tricks and games subtly occur. Be it the sudden ruptures in movement or variations in line and colour.

                                      For his latest body of work, he uses a limited and bold colour palette on large scale canvas, translating the essence of his textural inspiration in a stripped back style into his own gestural language.

                                      Max Mortiboys graduated from Chelsea College of Arts in 2018.

                                      Categories:

                                      • Paintings

                                      Mediums:

                                      • Paintings on Canvas

                                      Subject Matter:

                                      • Abstract
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                                      My large scale paintings arise from an instinctive, almost chaotic process. This involves pulling apart and reassembling visual and material components.

                                      Max Mortiboys

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                                        David Dodsworth

                                        David Dodsworth is a well established artist. The most common question he is asked is; “what kind of thing do you do”? The answer is always a different, generally reflecting the most recent works that he has been involved with.

                                        In previous work he has looked closely at the imagery of prehistory, and calligraphy in many different language systems, using paint and print.

                                        A commission for a series of glass bowls and sculptures being made in Los Angeles took his work in a totally new direction.

                                        David Dodsworth has a wide range of interests and many of the pieces are derived from nature, architecture, and geometric composition. However, some things; his love of music, and its resonance for instance, is best expressed abstractly.

                                        His approach is best described as eclectic (n) one who uses a method or approach that is composed of elements drawn from various sources or (in art) selecting what seems best from various styles, doctrines, ideas, methods, etc.

                                        At the moment he is looking at the way that technology and digitisation can be used to obscure, reveal, or degenerate a figurative image, combined with layers of consciousness.

                                        View Current Artworks

                                        Categories:

                                        • Paintings
                                        • Prints

                                        Other Categories:

                                        • Glass – Sculptural Bowls

                                        Mediums:

                                        • Paintings on Canvas
                                        • Paintings on Panels
                                        • Paintings on Paper
                                        • Prints – Artist Limited Editions

                                        Subject Matter:

                                        • Abstract
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                                        At the moment I am looking at the way that technology and digitisation can be used to obscure reveal or degenerate a figurative image combined with layers of consciousness.

                                        David Dodsworth

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                                          Susan Andreae

                                          Susan Andreae is a sculptor and printmaker based in London.

                                          Having grown up in London, she is fascinated by the complexity of living in the city – the crowds, commuters, architecture and energy of urban life.

                                          She also travels frequently to Southern Italy and is inspired by the simplicity of the ancient architecture and colours of the Mediterranean.

                                          Ideas evolve for Susan Andreae from things she sees and experiences and always from drawings made in situ, which start the creative process. She then experiments with techniques of layering using multiple images superimposed to arrive at a final image, eluding to the passing of time and historical change.

                                          Categories:

                                          • Prints
                                          • Sculpture

                                          Sculpture Type:

                                          • Interior
                                          • Tabletop

                                          Mediums:

                                          • Prints – Artist-Etchings
                                          • Sculpture – Metal-Cast
                                          • Sculpture – Concrete/Plaster/Ceramic

                                          Subject Matter:

                                          • Abstract
                                          • Architectural
                                          • Landscape
                                          • Urban
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                                          Having grown up in London, I am fascinated by the complexity of living in the city – the crowds, commuters, architecture and energy of urban life.

                                          Susan Andreae

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                                            Stella Corrall

                                            Stella Corrall has delivered site-specific well-being solutions for healthcare, public sector and corporate buildings since 2004.

                                            This broad portfolio of ambitious commissions is centred on delivering original concepts through to installed premium permanent artworks. She does not approach projects with preconceived ideas; rather the aim is to create a distinct and individual identity which is relevant and sensitive to each context with both material solutions and overall aesthetics.

                                            With her wealth of experience and designed material combinations varying with each project’s requirements, from printed transparencies to our innovative in-house recycled plastics, clients can be sure to receive truly refreshing outcomes.

                                            Stella Corrall is currently producing a suspended work for Huddersfield University’s new Art, Design & Architecture ‘Barbara Hepworth’ building using our bespoke recycled polycarbonate balanced with unique profiles housing LEDs.

                                            Categories:

                                            • Installations
                                            • Wall Panels
                                            • Other

                                            Mediums:

                                            • Installation
                                            • Light
                                            • Mixed Media
                                            • Prints – Transparencies
                                            • Plastic
                                            • Other

                                            Subject Matter:

                                            • Abstract
                                            • Animal/Botanical
                                            • Landscape
                                            • Site Specific Subject/Theme
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                                            I do not approach projects with preconceived ideas; rather the aim is to create a distinct and individual identity which is relevant and sensitive to each context with both material solutions and overall aesthetics.

                                            Stella Corrall

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                                              Julia Brooker

                                              Julia Brooker paints on aluminium because she was seduced by the way it reflects light off its metal surface through veils of transparent colour. She revels in the sumptuousness of paint as it sits on the cool surface and is driven in the attempt to make beautiful paintings.

                                              Some of her paintings have the instant appeal of vivid jewel like colours. Others are more subtle and layer veils of sepia, black, white and grey. Increasingly she combines drawing with painting to make multi layered paintings.

                                              ‘When the viewer gets close I hope they will enjoy the tiny accidental droplets that fall, the ‘hand-made-ness’ of the paintings. Closeness should offer up more, a desire to touch the surface, a stillness.’

                                              Julia Brooker studied ceramics before she became a painter. Those luscious crystalline glazed surfaces like cake icing on coarse clay, and her love of gorgeous textiles are both reflected in the surface qualities of her paintings. She finds ways to weave layers of paint and textures together. Julia is always pleased by the way people want to touch her paintings to see how they feel.

                                              View Current Artworks

                                              Categories:

                                              • Paintings
                                              • Wall Panels

                                              Mediums:

                                              • Painting on Panels
                                              • Acrylic Paint on Aluminium Panels

                                              Subject Matter:

                                              • Abstract
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                                              'When the viewer gets close I hope they will enjoy the tiny accidental droplets that fall, the 'hand-made-ness' of the paintings. Closeness should offer up more, a desire to touch the surface, a stillness.'

                                              Julia Brooker

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                                                Irma Irsara

                                                Irma Irsara has a special interest in ecology, conservation and climate change. These have always guided her creative practice. She was brought up in the foothills of Monte Croce in the Italian Dolomites. Where her paternal grandfather managed significant areas of woodland in Fanes National Park. This has always influenced he artwork.

                                                Irma studied at the Scuola d’Arte di Ortisei & Accademia di Belle Arti di Urbino, both in Italy, and St Martins School of Art. She also studied Country Care and Conservation at Capel Manor Horticultural College to develop her knowledge of Conservation.

                                                Her work encompasses a broad range of media and techniques: installations, video, bookworks,

                                                photography, prints and the pulp/cotton fibre works which represent a large part of her output.

                                                Her fibre art ‘pulp‘ work uses organic material and storm debris such as fallen bark. This is combined with pure cotton to create lyrical reflections of changes in natural forms. For example, her series ‘Watermarks’ explored rising water levels as evidenced in the lines on canal walls.

                                                Irma Irsara has shifted her focus to invisible nature, micro pollution and micro fibre plastics. Through the use of micro-photography, film and time lapse she has created a new range of artworks.

                                                View Current Artworks

                                                Categories:

                                                • Prints
                                                • Photography
                                                • Digital
                                                • Installations
                                                • Other – Paper Pulp Artworks

                                                Mediums:

                                                • Digital
                                                • Installation
                                                • Light
                                                • Paper/Paper Pulp

                                                Subject Matter:

                                                • Abstract
                                                • Landscape
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                                                My fibre art ‘pulp‘ work uses organic material and storm debris such as fallen bark. This is combined with pure cotton to create lyrical reflections of changes in natural forms.

                                                Irma Irsara

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                                                  Alberto Fusco

                                                  Alberto Fusco creates wall panels made up with folded and manipulated paper. The intricately folded paper is transformed into textural geometrical forms becoming sculptural pieces in their own right.

                                                  In recent years his work has developed and is widely exhibited and is included in several corporate collections.

                                                  His work is often displayed behind a perspex cover to protect the artwork from damage and the ingress of dust. This also gives the artwork a jewel like property.

                                                  Alberto Fusco now concentrates on site specific commissions for both corporate and private collections.

                                                  View Current Artworks

                                                  Categories:

                                                  • Installations
                                                  • Wall Panels

                                                  Mediums:

                                                  • Mixed Media
                                                  • Printed Paper Folded and set into Panel

                                                  Subject Matter:

                                                  • Abstract
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                                                    Claire Brewster

                                                    Since Claire Brewster could first pick up a pencil, art was the only thing she was really interested in. Her journey to become a professional artist has involved living in Spain and Romania and working for a high profile architects practice. All the time working away developing her art.

                                                    Claire grew up in Lincolnshire and has been living and working in London for over 20 years. She has been pursuing art as a profession since 2000 and recently made the jump to work on my sculptures full-time. She is grateful to have had the opportunity to exhibit her work widely – from Manchester Art Gallery to Sydney, Australia.

                                                    Claire Brewster has also been lucky enough to have her work published in many magazines and books including – Vogue, World of Interiors, Marie-Claire Maison, Casa de Arbitrare, Paper, Tear, Fold, Rip, Crease, Cut – Black Dog publishing and Underground Maps – Lund Humphries.

                                                    Claire is pleased to say she was invited to be an inaugural member of the Perrier Jouet Art Salon and Prize. The salon met twice a year and awarded a prize to an artist/designer within 5 year of graduating.

                                                    View Current Artworks

                                                    Categories:

                                                    • Paintings
                                                    • Installations

                                                    Mediums:

                                                    • Mixed Media
                                                    • Collage
                                                    • Acrylic Ink and Paint on Canvas
                                                    • Sculpture – Paper

                                                    Subject Matter:

                                                    • Abstract
                                                    • Portrait/Figurative
                                                    • Animal/Botanical
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                                                      Michelle House

                                                      Michelle House is an abstract artist with over 20 year’s experience creating unique textile artworks and digital art prints. Her inspiration comes from the patterns and geometry within architecture. As well as the physical mixing and layering of colours, the texture of cloth and the print process.

                                                      Michelle House moved from painting and collage on paper to applying the same approach with textiles. Taking photographs and making drawings, she then edits and designs on a computer, before transferring her photographic images to silkscreens.

                                                      Michelle uses screens in conjunction with hand-cut stencils as a palette from which to select and build up her final composition. Using imagery and colour in an abstract way to create focal points, balance and space.

                                                      The dye’s and pigments, in combinations of transparent and opaque layers, are screen-printed and painted on to differently textured fabrics, which are then meticulously sewn together to make a single piece, or series of related works.

                                                      View Current Artworks

                                                      Categories:

                                                      • Prints
                                                      • Digital
                                                      • Wall Panels
                                                      • Textiles & Rugs

                                                      Textile Type:

                                                      • Textiles
                                                      • Wall Hangings
                                                      • Rugs

                                                      Mediums:

                                                      • Collage
                                                      • Digital
                                                      • Prints – Artist
                                                      • Prints – Other

                                                      Subject Matter:

                                                      • Abstract
                                                      • Architectural
                                                      • Cityscape/Urban
                                                      • Interiors
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                                                      My inspiration comes from the patterns and geometry within architecture. As well as the physical mixing and layering of colours, the texture of cloth and the print process.

                                                      Michelle House

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                                                        Zac Greening

                                                        Zac Greening draws his inspiration principally from nature – ‘the ultimate sculptress’. He finds the sculptural forms created by the sun, moon, waves and trees particularly inspiring as symbols of sustainability.

                                                        He works in a wide range of media from discarded plastic bottles to organic matter. Often these materials are fused together to reinforce the aesthetic or narrative that he’s looking to express.

                                                        A narrative is created that highlights the relationship between man and the natural environment.

                                                        Common themes found in his work often abstractly express or make a comment on current issues. Issues such as sustainability, environmental degradation, or consumption. Alternatively they may simply be an expression of the marvel and awe he sees in a sunset or the kinetic and meditative experience found in the rolling of sea waves.

                                                        Zac Greening communicates and reminds the viewer of mankind’s inextricable socio-economic and spiritual link with the natural world

                                                        Categories:

                                                        • Sculptures
                                                        • Installations
                                                        • Wall Panels

                                                        Sculpture Type:

                                                        • Exterior
                                                        • Interior

                                                        Medium:

                                                        • Mixed Media
                                                        • Recycled Materials
                                                        • Wood
                                                        • Other

                                                        Subject Matter:

                                                        • Abstract
                                                        • Animal/Botanical
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                                                        A narrative is created that highlights the relationship between man and the natural environment. Common themes found in my work often abstractly express or make a comment on current issues.

                                                        Zac Greening

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                                                          Allan Forsyth

                                                          Nature is never quite still in Allan Forsyth’s world. Leaves shimmer, flowers appear to breathe, and fleeting moments unfold into immersive compositions that evolve with every glance. Working from his London studio, Forsyth creates richly layered artworks that blur the boundaries between photography, digital art, and experimental image-making, inviting viewers to experience the natural world through a renewed and heightened perspective.

                                                          Inspired by the intricate beauty and quiet drama of flora and fauna, Forsyth is drawn to the patterns, textures, and rhythms that often pass unnoticed. Rather than documenting nature as it appears, he transforms it, using colour, light, and movement to reveal hidden dimensions and evoke an emotional response. His work encourages a slower way of looking, celebrating both the complexity and fragility of the world around us.

                                                          Employing an expansive visual language, Forsyth combines analogue and digital photography with photograms, collage, computer-generated imagery, and extensive digital manipulation. Each technique becomes another layer in the creative process, allowing him to construct images that feel simultaneously familiar and dreamlike. His lenticular works introduce yet another dimension, responding to the viewer’s movement as images shift, ripple, and subtly transform. These kinetic pieces create a sense of life and energy, capturing the fleeting, ever-changing qualities of nature in a medium that is constantly in motion.

                                                          Forsyth often describes himself as “an artist that uses photography” rather than a photographer, reflecting a practice that places creative expression above technical convention. For him, the camera is only one of many tools used to realise an idea. Whether working with Victorian-era photogram techniques or contemporary digital processes, he continually challenges the traditional boundaries of photography, producing artworks that are immersive, evocative, and instantly recognisable. The result is a body of work that celebrates both innovation and imagination, revealing the extraordinary beauty that exists just beyond our everyday perception.

                                                          Categories:

                                                          • Photography

                                                          Mediums:

                                                          • Photography
                                                          • Photomontage
                                                          • Photograms

                                                          Subject Matter:

                                                          • Abstract
                                                          • Animal/Botanical
                                                          • Still Life
                                                          {"autoplay":"true","autoplay_speed":"3000","speed":"300","arrows":"true","dots":"true","rtl":"false"}

                                                          My work conveys my love of the drama of nature, seeking to expand the beauty of natural forms that we sometimes overlook in everyday life showing an extra dimension in his work.

                                                          Allan Forsyth

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                                                            Kim Baker

                                                            Kim Baker bases her work on nature and nature morte as a motif. She combines this with abstract expressionism and the materiality of paint. She uses the motifs of flora, forests and fauna whilst retaining a gestural and layering technique. Kim often paints over an existing painting which can give the works a sense of history and depth.

                                                            Influences include Dutch 17th Century floral still life’s, the baroque painting of Murillo, the chiaroscuro of Caravaggio and American abstract expressionism of the 1950’s especially De Kooning.

                                                            “Kim Baker’s striking oil paintings take inspiration from the memento mori tradition as it evolved in seventeenth century Dutch still life’s. Her canvases thus feature flowers, birds and insects, the traditional motifs of these earlier works, while retaining a spontaneous technique characteristic of more recent times. Baker often reworks her canvases repeatedly, painting one image on top of another until the finished work tells an additional story; that of its own genesis.”

                                                            Nature Morte. Contemporary artists reinvigorate the Still Life tradition.
                                                            Michael Petry
                                                            Thames and Hudson.

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                                                            Categories:

                                                            • Paintings

                                                            Mediums:

                                                            • Paintings on Canvas

                                                            Subject Matter:

                                                            • Abstract
                                                            • Animal/Botanical
                                                            • Still Life
                                                            {"autoplay":"true","autoplay_speed":"3000","speed":"300","arrows":"true","dots":"true","rtl":"false"}

                                                            Kim Baker’s striking oil paintings take inspiration from the memento mori tradition as it evolved in seventeenth century Dutch still life's.

                                                            Michael Petry - Thames and Hudson

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