Artists Archives

Ella Merriman

Ella Merriman is a London-based artist and designer whose practice centres on the endangered craft of rush basketry. Harvesting rush by hand from slow-flowing rivers across the UK, her work reflects a deep engagement with material, place, and process, while exploring the growing disconnection between humans and the natural world.

Combining traditional techniques with found objects collected from London streets, Ella Merriman creates a dialogue between urban and rural environments. Her practice is rooted in slow, tactile making, guided by intuition and the inherent qualities of her materials.

Through experimental forms, she reimagines everyday and discarded objects, extending rush basketry beyond its functional origins into conceptual and decorative realms. Her work engages with themes of preservation, renewal, and the subtle presence of nature within contemporary life.

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Artist Summary
Artist Biography

Categories:

Sculptures
Installations
Wall Panels

Mediums:

Sculpture – Land
Sculpture – Mixed Media
Sculpture – Mobile
Sculpture – Wood
Sculpture – Other
Sculpture – Tabletop

Subject:

Abstract
Animal/Botanical
Interiors

Selected Exhibitions

2026 – Selected for Collect Open 2026, Collect at Somerset House
2025 – Exhibited in ‘A Moment in Time’ at the Van Gogh House
2025 – Exhibited with Cox London during London Craft Week
2025 – Exhibited in Undoings at the Sussex Contemporary
2024 – Worshipful Company of Basketmakers’ Award – prize of a studio at Cockpit Bloomsbury in London
2018 – First Class Honours, BA Furniture & Product Design, The School of Art, Architecture and Design
2014 – Distinction, Art and Design Foundation Diploma, Falmouth University

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Andy Welland

Kaleidoscopic rainbows collide, prints sing, and pink is everything in the world of Andy Welland. Positioned as a contemporary artist for the next generation, Welland’s work blends vibrant abstraction with a graphic sensibility shaped by his background in design. His practice moves fluidly between painting, sculpture and product collaborations, with projects appearing through retailers and partners including Liberty London, Lush and Co-op Live Arena.

Raised in Doncaster by a trio of creative and influential women—his mother, grandmother and aunt—Welland developed an early appreciation for making and visual culture. He later studied Fine Art at Sheffield Hallam University, graduating in 2007, before working within the luxury division of M&C Saatchi and across boutique design studios in the UK.

This background informs Andy Welland’s distinctive visual language. His energetic compositions are built from colliding shapes, bold colour systems and collage-like forms. Drawing inspiration from childhood imagination, nature and human connection, his work celebrates togetherness, imperfection and the joyful complexity of being human.

Play sits at the heart of Welland’s practice—both as a mindset and a method. Through experimentation with colour, material and process, play becomes a creative tool that encourages curiosity, unexpected discoveries and joyful accidents, opening space for new ideas and meaningful connection.

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Artist Biography

Categories:

Paintings
Prints
Digital
Sculptures
Installations
Wall Panels
Textiles & Rugs
Accessories

Mediums:

Collage
Digital
Installations
Mixed Media
Painting on Canvas
Painting on Paper

Subject:

Abstract
Animal/Botanical

Selected Commissions:

Colour, Play, and Everything In-Between — BALTIC Centre for Contemporary Art
Brighter in Real Life — Bloc Projects, Sheffield
Loose Ends 319 — Millennium Gallery, Sheffield
Loose Ends 300 — Newcastle Quayside public artwork
Light Up Kilburn — public art commission
Ashford Unframed Mural Festival — large-scale mural
BBC — broadcast artwork collaboration
Amazon — commercial artwork collaboration
Liberty London — retail collaboration
LUSH — Knot Wrap design collaboration

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Amy Albright

The paintings of Amy Albright transport the viewer into atmospheric and ambiguous landscapes—perhaps a misty evergreen lakeside, a distant coastal cliff shrouded in fog, or the quiet depths of a turquoise underwater expanse. Her subjects often feel vast and immersive, sometimes leaning toward abstraction while at other times suggesting recognisable landscapes. In every work, there remains an element of intrigue and the unknown.

Albright works with subtle tonal ranges, using oil paint with an inky fluidity that softly envelops the canvas. The result is imagery that appears misty, watery, and indistinct—like a memory recalled or a place imagined.

Her process begins loosely. Expressive, gestural marks establish the composition before gradually being “reined in” through blending, fading, pouring, and glazing multiple layers of oil paint. Through this careful layering, forms dissolve and re-emerge, as though wrapped in an atmospheric cloud. Occasionally, Amy Albright introduces small details that act as anchors within these otherwise ethereal environments.

An explorer and devoted observer of the natural world, Albright draws inspiration from travel, from the shifting underwater environment, and from the dynamic weather, tides, and coastline of Cornwall, where she lives. The meeting point between land and water—where boundaries blur and forms transform—remains a continual and perhaps never-ending source of fascination in her work.

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Artist Summary
Artist Biography

Categories:

Paintings

Mediums:

Paintings on Canvas

Subject Matter:

Landscape
Abstract Landscape

Education & Awards:

2004 – 2007 University College Falmouth, Ba (hons) in Fine Art
2007 – Winner of the Midas Award, a contemporary visual arts award
2022- Winner of Outstanding award – E.Sun Painting Award. Taipei, Taiwan.

Selected Solo Exhibitions:

2025 – Between worlds, Artwavewest, Dorset
2024 – Waters edge, Sarah wiseman gallery, Oxford.
2008 Transition, Newlyn Art Gallery, Cornwall. (Solo exhibition as Midas award winner)

Selected Group Shows:

2026 What the land remembers, Cornwall Museum and Art Gallery, Truro.
2022 – E. Sun Awards, Award winner exhibition, Taipei, Taiwan
2019-‘Blue mind’ 3rd on 3rd Gallery, The Reg Lenna Center for the Arts, Jamestown, New York USA
2016 The Lantern Gallery, Worcester University ‘Pipe dream’

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Heather McAlpine

Heather McAlpine was born in Stirling, Scotland, and her creative path has taken her across continents. After earning her MA at the Royal College of Art in London, she spent sixteen years living and painting in Vancouver, Canada, before following her instincts to the rugged shores of Cornwall. For the past decade, she has found both solace and inspiration in St Ives, working from her studio in the historic ‘Downalong’ quarter, nestled between three of her favourite beaches.

Heather’s paintings capture the distinctive light and colour of St Ives, translating not just the visual beauty of the ocean, but the sensory and emotional depth it evokes. Her work invites viewers into an immersive experience shaped by her deep connection to the sea, her love of wild swimming, and the intuitive, expressive process of painting itself.

Ranging from small, intimate ‘captured moments’ on paper to expansive semi-abstract canvases—some as large as 1.7 by 2 metres—her paintings reflect a lifelong dialogue between place, emotion, and the ever-changing rhythm of the coastal landscape.

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Artist Biography

Categories:

Paintings

Mediums:

Paintings on Canvas

Subject Matter:

Seascape/Water

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Ellipsis Prints

Ellipsis Prints was founded to address a structural imbalance: women and non-binary artists remain significantly underrepresented across galleries, collections and institutions. Rather than waiting for those structures to correct themselves, Ellipsis works directly with artists at pivotal stages in their careers, commissioning editioned works that extend and consolidate their practices.

Each project approaches print not as reproduction, but as translation. An edition becomes a site of focus: a shift in scale, circulation or material that allows an artist’s thinking to move differently. We work closely with each artist to develop editions that feel rigorous, intentional and aligned with their wider practice.

Ellipsis is both a commissioning platform and a quiet form of advocacy. By funding production, facilitating sales and building a considered collector community, we aim to create meaningful, sustained support—not just visibility, but momentum.

Kate Neave launched Ellipsis Prints as a way to take direct, practical action. As a curator and writer, I am continually inspired by the depth and ambition of work being made by women and non-binary artists. At the same time, the disparities in representation and opportunity remain stark. Progress is happening, but slowly, and unevenly. Ellipsis exists to contribute to that shift in a tangible way. Each edition is a small but deliberate intervention: a means of redistributing attention, resources and long-term support. Until equity within the art world is no longer aspirational but structural, projects like Ellipsis remain necessary.

All Ellipsis editions are limited edition Risograph prints produced in London. The Risograph — a stencil-based printing process developed in Japan in the 1980s — prints one colour layer at a time, creating distinctive tonal variation and texture. The process sits somewhere between screenprint and digital reproduction, combining precision with a visible, tactile quality. We work with a limited palette and high-quality natural white paper, allowing each artist’s work to translate thoughtfully into print. Each edition is limited to 100. Once an edition is placed, it will not be reproduced, protecting the integrity of the work and the long-term value of the edition.

Artist Summary
Artist Biography

Categories:

Limited Edition Prints

Mediums:

Risograph Prints

Subject Matter:

Various

Collectors:

Ellipsis collectors include artists, curators and engaged art-world audiences who are interested in supporting practices early and meaningfully. To collect through Ellipsis is not simply to acquire an image, it is to align with a developing practice and participate in its circulation. Works have entered numerous private and public collections, including the Atis Collection, Pan Macmillan Collection and the Soho House Art Collection.

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Corinne Natel

Corinne Natel is a contemporary artist specialising in abstract mixed media paintings. Corinne is based in North West London and is inspired by landscapes, nature, cities, travel, fashion and media. Her work investigates colour, form, space and texture.

Working with a variety of mixed media, a blank canvas takes on a new form and begins to develop a life of it’s own. A new entity, aiming to create vibrant and emotive works that allude to another world.

Corinne Natel has sold works in the UK and internationally, for homes, offices, hotels, restaurants and cruise ships. She has exhibited in solo and group shows at contemporary galleries and at renowned London Hotels and leading Art Fairs.

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Categories:

Paintings
Prints

Mediums:

Acrylics on Canvas/Linen
Inks
Collage
Mixed Media

Subject Matter:

Abstract
Botanical

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Anne Davison

Anne Davison originally studied Printed Textiles BA(Hons) at Middlesex University, graduating in 1984 and established a fashion textile design brand in Shoreditch in 1985, selling worldwide to the fashion industry in the UK, Japan, France, Germany and the USA. Amongst others, previous clients have included Yves Saint Laurent, Mantero, Etro, Daniel Hechter, Tommy Hilfiger, Macy’s and Diane von Furstenberg.

Anne now works from her studio on the Thames, having shifted her focus to producing original artworks and home furnishings, selling to retailers, interior designers as well as TV and film.

Anne Davison limited-edition prints, collages and rugs are designed and created in her bright sunny studio in Woolwich, Southeast London. Inspired and influenced by artists such as Wilhelmina Barnes-Graham, Eduardo Chillida, Ben Nicholson and Alexander Girard, Anne is predominantly interested in abstract shapes colour and pattern. Each new piece begins with creating a range of stencilled, lino printed and screen-printed papers, I enjoy experimenting with different techniques, colour combinations and the freedom this stage gives me. From here, Anne moves to development – using paper collage to explore proportion, pattern, and to the final composition.

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Artist Biography

Categories:

Paintings
Prints
Textiles & Rugs

Mediums:

Collage
Mixed Media
Paint on Paper
Prints
Textiles & Rugs

Subject:

Abstract
Landscapes
Still Life

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Sara Stode Winter

Swedish born, London based artist Sara Stode Winter has spent her working life in steady pursuit of creative fulfilment. With a background in fine art and illustration and many years of professional experience in different creative fields, she has acquired a strong artistic confidence and a unique expression that manifests in her abstract paper sculptures. Taking inspiration from her Scandinavian roots, Sara’s sculptures showcase a refined aesthetic and a considered use of colours and materials which, along with her avant-garde mindset, lends each piece an intriguing air of beauty and wonder.
Control is overrated. Interesting things happen when you surrender to the fact that you never really had any in the first place. Shedding a lifelong quest for perfection and preciseness I am now making art as an exploration of what happens when an open creative mind meets malleable materials.

Sara Stode Winter makes large scale sculptures out of quality Italian crepe paper. “When I came across this beautiful paper I was instantly drawn to the playfulness of its properties. Even now the possibilities still seem endless. To dye and manipulate the paper I use different media and techniques in processes that render each piece truly unique. The sculptures all take shape organically; from initial idea to finished artwork nothing is forced into being. I let the paper lead the way.”
Lately Sara has felt a pressing need to make large sculptures, which makes perfect sense. As the physical manifestations of her unleashed creativity, the pieces that emerge demand scale. No longer getting lost in the details, Sara is finding and claiming her space.

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Artist Summary
Artist Biography

Categories:

Sculpture
Wall Panels

Mediums:

Gilding
Mixed Media
Paper/Paper Pulp
Pastels

Subject

Abstract

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When I came across this beautiful paper I was instantly drawn to the playfulness of its properties. Even now the possibilities still seem endless. To dye and manipulate the paper I use different media and techniques in processes that render each piece truly unique. The sculptures all take shape organically; from initial idea to finished artwork nothing is forced into being. I let the paper lead the way.

Sara Stode Winter

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Carl Rowe

Carl Rowe studied Fine Art at Manchester Polytechnic, graduating with an MA in 1985. He currently lives in Norwich and is a former Associate Professor and Course Leader in Fine Art at Norwich University of the Arts. He is an artist member and studio holder at OUTPOST in Norwich and is also a member of the Printmakers Council. Carl Rowe has an international profile as both an artist and an academic. His work has been exhibited widely in the UK as well as in Germany, Spain, Portugal, Ireland, Italy, Canada, US, Estonia, Japan, Malaysia and Egypt. In addition to studio production he has also worked on public art including billboards, print portfolios and hospital art. In 2018 Rowe was commissioned by Hospital Rooms to make work for Woodlands Mental Health Unit at Ipswich Hospital and is currently engaged in a new project with Hospital Rooms.

“My art switches back and forth between an engagement with socio-political issues and subconscious renderings.

I can’t escape my concern for the wrongdoing in the world and within my art a surface layer of humour, absurdity and the arcane masks a strong undercurrent of concern for humanity. When I ease off the direct engagement with current affairs, symbols, objects and graphic devices float up from somewhere in my memory and arrange themselves in unlikely compositions.”

Carl Rowe works with both paint, sculpture and print process. The materials that I use are often intrinsically connected with the images they portray such as the work Drool, an installation made with ink containing herbs and spices from the G20 countries and the Serbian paprika used in Deprecated Location, a screen print depicting Archduke Franz Ferdinand. Recent paintings, drawings, sculptures and prints present an obsession with clay pipe fragments, hazard warnings, cylindrical containers and clouds of particulates.

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Categories:

Paintings
Prints
Sculptures
Installations

Mediums:

Collage
Mixed Mediums
Paintings on Canvas, Panel and Paper
Sculpture – Mixed Mediums, Recycled Materials and Wood

Subject Matter:

Abstract

Carl Rowe - Exceeding the Limits of the Box

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My art switches back and forth between an engagement with socio-political issues and subconscious renderings. I can’t escape my concern for the wrongdoing in the world and within my art a surface layer of humour, absurdity and the arcane masks a strong undercurrent of concern for humanity.

Carl Rowe

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Marina Emphietzi

Marina Emphietzi now lives in London and her work explores issues of time, life and memory.

She creates engaging artworks in a distinct semi abstract style inspired mostly by water and the marine environment.

With the sound of crashing sea waves and the hot feeling of sand under bare feet, Marina’s story starts in Famagusta, Cyprus. Her family’s childhood home built along the scenic coastline, she spent most of her days by the beach. It’s here that she came to know the limitless freedom of the Ocean. Surrounded by the vivid landscapes of Cyprus, art came naturally to Marina. Her heart’s desire was to study art, although she would pursue a successful career in hotel management and marketing before finally achieving her life-long dream. She has studied at the prestigious schools of Central St-Martins and the University of Massachusetts Amherst (UMASS).

At the age of 14, Marina Emphietzi lost her home in the trauma of war. The ocean and its waters, full of life and possibility, are a part of her most joyful memories. They are from which she draws inspiration from in her work and why her pieces have the power to evoke strong feelings of nostalgia and freedom. A world traveller, Marina has called many places home. The man-made beaches of Dubai, the crowded markets of Ethiopia, and now, the grey skies of London, U.K., each brings their own colour palette to Marina’s current work. Created with robust energy, her paintings have playful textures and a distinct style. They bring to surface lost memories of being near water, the sound of rumbling waves, the feeling of a warm breeze across skin. A metaphor of the transient human experience, her artwork suggests we flow through the journey through life, ever-changing and free.

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Artist Summary
Artist Biography

Categories:

Paintings
Prints

Mediums:

Paint on Canvas
Paint on Paper

Subject Matter:

Abstract
Landscape
Seascape/Water

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I create engaging artworks in a distinct semi abstract style inspired mostly by water and the marine environment.

Marina Emphietzi

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Neale Marriott

Neale Marriott’s work explores our relationship with the places around us, whether the fleeting joy of the natural landscape or the complexity and enclosure of urban spaces. I see my artworks as constituting a journey in different ways. First, I want them to have an energy and sense of movement within themselves in order to replicate our interaction with the world. They also explore a journey from figuration to a more dynamic abstraction. Finally, in my sculptural work particularly, they are a reflection on a more generic human journey with references to history, progress, science and geography.

I have always been interested in exploring different materials on which to paint including metal, concrete, glass & Perspex.

In using these materials, I’ve always sought to blur the boundaries between the illusory nature of paint and the physical properties of materials.

Neale Marriott’s paintings and painted construction pieces on layers of acrylic Perspex and concrete try to take painting into new spatial and sculptural areas by creating an experience that subtly shifts and changes as the viewer moves around them. The aim is to create more interactive spatial artworks that better represent our experience and explore different contexts and narratives.

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Categories:

Paintings
Sculptures
Installations

Medium:

Paint on Glass
Paint on Clear Acrylic
Sculptures- Concrete/Plaster

Subject Matter:

Abstract
Cityscape/Urban
Landscape

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I have always been interested in exploring different materials on which to paint including metal, concrete, glass & Perspex. In using these materials, I’ve always sought to blur the boundaries between the illusory nature of paint and the physical properties of materials.

Neale Marriott

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Gina Parr

Gina Parr is a Painter who also “paints with a camera” when traveling.

The image of the sea and the Artist’s thoughts about memory and identity are ever present in her work. Her childhood, spent diversely in wide-open spaces, fishing for Mackerel with her father, and her mother with her hoarding and mental health issues defined the Artist’s relationship to the sea and land, the uncertainty of the deep, the spirit and memory of the open space, evoking freedom and connectedness. She does not wish to recreate those experienced places, but to unearth the truth, to centralise the feelings and emotions that were and are present, to not be afraid of the material of her past. The Artist’s work is an expression of the intermingling of both joy and pain: the human condition.

Gina Parr was originally trained as a Fine Artist, graduating with a First Class BA Honours Degree.

She went on to Chelsea College of Art to study set design, leading to a 25 year career Production Designing many prestigious shows for television.

She returned to her Artist’s practice in 2007.

She has also lectured in art and design at Chelsea College of Art and Nottingham University, is widely exhibited in galleries and art fairs in the UK and Europe. She is an Associate member of The Society of Women Artists in London and has works held in collections Worldwide including; Keble College Oxford, Director Jestico + Whiles Architects London, President Boston’s Children’s Museum USA, Senior Economist Goldman Sachs, Argentex and Vedanta Headquarters in London, and Commissions in UAE, Belguim + London.

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Artist Biography

Categories:

Paintings
Photography

Mediums:

Mixed Media
Paintings on Canvas
Painting on Panels
Photography

Subject Matter:

Abstract
Landscape
Music
Seascape/Water
Emotional
Psychological

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The image of the sea and my thoughts about memory and identity are ever present in my work.

Gina Parr

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Liesha Yaz

Liesha Yaz paintings are an emotional response to a feeling, experience or place, I see the work as the atmosphere and sense of place made physical; marks are not made to describe but to elicit and emote, to forge a connection.

The studio is filled with music, I meditate and read poetry in an attempt to find the state of mind and the creative space within where my painting can flow. Liesha Yaz is driven by intuition, each painting an unplanned journey, a celebration of the physicality of paint and surface.

The surface of these oil paintings are untamed, highly worked and layered, difficult to look away from, I use oils and mixed media to create texture and form in my paintings.

Emotional creativity is the heart and soul of my paintings these images are totally unique in every sense.
My work is widely collected by both national and international private and corporate clients.

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Categories:

Paintings

Mediums:

Paintings on Canvas
Mixed Media

Subject Matter:

Abstract

Leisha Yaz - Turbulence Passes and a Calm Descends

Leisha Yaz - Where Softness Touches the Earth

Leisha Yaz - Age of Aquarius - Diptych - 2

Leisha Yaz - Age of Aquarius - Diptych - 1

Leisha Yaz - As Softness Descends Upon the Earth

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The surface of these oil paintings are untamed, highly worked and layered, difficult to look away from, I use oils and mixed media to create texture and form in my paintings.

Liesha Yaz

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David Burns

David Burns creates ceramic and metal wall art characterised by the elegance of porcelain clay and the forms and craftsmanship of slip casting. He designs wall art for private, corporate or public spaces.

The hand cast porcelain discs are miniature sculptures each with a unique relief and impression which plays with shadow and light. An intensity is created by juxtaposing black porcelain alongside the purity and delicacy of natural porcelain and brighter pink tones. The playful drip line contrasts with the controlled and meticulous grid arrangement of the discs.

Each piece created by David Burns is mounted onto a colour matched aluminium backboard and a black aluminium frame and can be commissioned to the client’s space and environment.

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Categories:

Ceramics
Installations
Wall Panels

Mediums:

Ceramics
Metal
Mixed Media

Subject Matter:

Abstract
Architectural
Cityscape/Urban

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The hand cast porcelain discs are miniature sculptures each with a unique relief and impression which plays with shadow and light.

David Burns

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Jonathan Page

Jonathan Page is driven by a desire to explore the boundaries between an aesthetic, harmonic perfection and the inherent imperfection of human creation. He celebrates the intricacies of artisanal craft within an increasingly mechanised world, incorporating visceral and instinctive approaches toward his art. He endeavours to explore ideas of purity and perfection within the boundaries of human consciousness.

Jonathan Page specialises in modern abstract sculptures finished in clay, fibreglass, bronze and steel.
“My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.”

Jonathan’s work is collected internationally and held in numerous private collections.

Artist Summary
Artist Biography

Categories:

Sculpture
Wall Panels

Mediums:

Ceramic
Metal-Cast
Metal-Coldcast
Resin

Subject Matter:

Abstract

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My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.

Jonathan Page

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Hetty Haxworth

Oxford born, Hetty Haxworth studied at the Glasgow School of Art and has exhibited widely in the UK and abroad. Her work has been shown at the Royal Academy Summer Exhibition, the Royal Scottish Academy and the Royal Glasgow Institute of Fine Arts, The Scottish Society of Artists and selected touring shows to Ohio, Australia, LA, Denmark and Brussels. She now lives and works from a studio in rural Aberdeenshire, Scotland.

Hetty Haxworth draws her inspiration from the ever changing colours and shapes of the Aberdeenshire landscape. As the countryside alters with the seasons, the work responds to transient shifts of light, capturing moments in colour.

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Categories:

Prints
Paintings

Mediums:

Paintings on Board
Prints – Artist
Painting Reliefs

Subject Matter:

Abstract
Landscapes

Available for Commissions

Hetty Haxworth - Light Falling through the Window

Hetty Haxworth - Sheer Drop and Massive Slabs

Hetty Haxworth - Ink Black Trees under Drifting Clouds

Hetty Haxworth - Heavy Dew on the Meadows

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The ever changing colours and shapes of the Aberdeenshire landscape is the inspiration for my work. As the countryside alters with the seasons, the work responds to transient shifts of light, capturing moments in colour.

Hetty Haxworth

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Patricia Mitchell

Patricia Mitchell draws inspiration from experiences gained through her extensive travels and conservation work in Africa, Patricia’s love of nature, botany and global culture and tradition clearly resonates through her work as a mixed media artist.

PAPER: From the magic of a murmuration of starlings; the plight of global deforestation; a myriad of majestic African animals; origami diamonds; sculptured paper fish; origami Japanese slippers to even a colourful selection of bees, dragonflies and beetles – every piece Patricia sculpts from paper comes with a thought provoking narrative.

MESH: The other genre of her portfolio are her signature abstract elephant sculptures made with aluminium mesh,

coated with a mix of 24ct gold and Fools Gold. Her golden elephants can either be seen in family herds or alone, marching along on pieces of ancient drift wood, sourced from the Jurassic coasts of New Zealand. “No other wood will do – drift wood has withstood the test of time, yet it still holds its beauty, strength and power, much like our beloved elephants.”

Behind the awe inspiring intricacy of Patricia Mitchell’s paper and mesh sculptures, there always lies an empowering story which can be either be absorbed, be viewed in passing or can be used as an interesting topic to research and to discuss.

Artist Summary
Artist Biography

Categories:

Sculptures
Installations
Wall Panels

Sculpture Type:

Internal
Table Top

Mediums:

Mixed Media
Gilded Aluminium Mesh
Sculpture – Paper
Sculpture – Wood
Sculpture – Other

Subject Matter:

Abstract
Animal/Botanical
Geographical
Interiors

Patricia Mitchell - Walk of Life - Detail

Patricia Mitchell - School of Fish with Leaves

Patricia Mitchell - The Golden Elephants

Patricia Mitchell - Postcards from the Tropics

Patricia Mitchell - Pap Du Cong - Framed

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“No other wood will do – drift wood has withstood the test of time, yet it still holds its beauty, strength and power, much like our beloved elephants.”

Patricia Mitchell

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Bob Aldous

Bob Aldous is primarily an abstract painter using wide range of media that are applied to silk that has been treated and sized, so that thicker impasto can work alongside delicate watercolour glazes.

He works in a way by which each mark interacts and inform the next brush stroke he is about to make. Using a wide range of brushes, broad marks are made with decorator’s brushes or large Chinese brushes and finer mark making are made with fine sable brushes or pencil. Central to my mark making is an aspiration for spontaneity. This spontaneous quality is sometimes hard to achieve, silk is an unforgiving surface in which each mark needs to be placed confidently. “After meditating on a work for some time I use my “minds eye” to contemplate where the next mark is to be placed, I will then work rapidly and instinctively.”

The paintings are inspired by water in all its forms: this may be a mountain stream, a calm lake reflecting the sky or a tumultuous sea tempest. Silk is an ideal surface as a substrate to my painting technique as it has a fine translucent surface, which is ideal for recreating the transparent quality of water. Throughout his career Bob Aldous has sketched water and been fascinated by trying to capture its movement and vitality. These sketches have been absorbed into his painting vocabulary and he now paint from memory. This gives the work a quality that “crosses the boundary between reality and dreams”.

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Artist Biography

Categories:

Paintings

Mediums:

Paintings on Canvas
Paintings on Silk

Subject Matter:

Abstract

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After meditating on a work for some time I use my “minds eye” to contemplate where the next mark is to be placed, I will then work rapidly and instinctively.

Bob Aldous

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Steve Johnston

Steve Johnston was born in Glasgow in 1956

The original photographer and inventor of the ‘Straight Up’ style of photograph at i-D magazine.

Steve Johnston’s work has been published in many books and magazines and is represented in the permanent collection of the Arts Council of England.

He has exhibited widely including Tate Britain, The Metropolitan Museum of Art New York, Hayward Gallery London, Victoria & Albert Museum, Scope Art Miami Beach and various i-D touring exhibitions worldwide.

Returning to his first love of painting in 1991 Steve has exhibited widely in the UK and abroad.

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Artist Summary
Artist Biography

Categories:

Paintings

Mediums:

Paintings on Canvas
Oil
Acrylic
Mixed Media

Subject Matter:

Abstract
Cityscape/Urban
Portrait/Figurative

Steve Johnston - Everyone Loves the Sunshine

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Hugh Hamshaw Thomas

Hugh Hamshaw Thomas received critical acclaim in the 1990’s for his large scale installations that categorised found plastic flowers into pseudo botanical collections. These works explored ideas of mortality, trace and memory through a finely balanced play of what was being represented through simulacra.

Recent work continues the reconfiguration of pictorial and historical associations through digitally manipulated photographs of Landscape that pose challenges to how seeing is mediated by the language of art.

The work of Hugh Hamshaw Thomas depicts intimate picturesque scenes familiar to the decorative arts, trees meeting waters edge of pond or river quoting the arcadian, idealised representations of historical contexts.

In so doing pictorial conventions of colour schema and style are exposed as the signifiers of meaning.

There is a subtle negotiation of how experience, memory, nostalgia and cliche are embedded within the pictorial conventions of what Landscape depiction is so often associated.

There is an imbued sense of dwelling with nature as the mirror. Nature and our gaze on it as the mediation as to the viewers place in what we experience and how we represent it.

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Artist Summary
Artist Biography

Categories:

Prints
Photography
Digital

Mediums:

Digital
Photography
Prints – Other
Textiles – Wallhangings

Subject Matter:

Historical
Landscape

Hugh Hamshaw Thomas - The Blue Tree - Holcombe 2019

Hugh Hamshaw Thomas - Pink Lake - Sweet Arcadia 2017

Hugh Hamshaw Thomas - Lakes End (Charcoal) 2018

Hugh Hamshaw Thomas - Lakes Edge (Strawberry) 2019

Hugh Hamshaw Thomas - Jerusalem (Wedgewood) 2019

Hugh Hamshaw Thomas - Fallen 2019 (Blue)

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Jad Oakes

London-based Jad Oakes explores the possibilities of photography and the moving image for sculptural installations, prints and photogravures.

His works are presented as collections or bodies of work that are connected by their process, theme and technique. The main thread that ties these bodies of works together is a fascination with memory and time.

Since 2014 he has developed and nurtured an ongoing series of small scale silent looping film installations housed in wooden sculptures titled Vessels.

Condensed Vessel Videos:

Dreams of Somewhere Else
Moonscape 50
Memory Vessel

Using timbers of Oak, Walnut and Bog Oak these moving image sculptures seek to connect with the viewer by projecting them into an alternative space and time.

Of the Vessels series he notes a desire to “create intimate emotive sculptures, enticing contemplation and memory.”

Jad Oakes was awarded the Aesthetica Prize at the 2019 ING Discerning Eye Exhibition.

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Artist Summary
Artist Biography

Categories:

Prints
Photography
Sculpture

Sculpture Type:

Interior
Tabletop

Medium:

Collage
Digital
Mixed Media
Photography
Photomontage
Prints – Artist
Prints – Other
Sculpture – Wood
Sculpture – Other
Video/Film

Subject:

Historical
Landscape
Portrait/Figurative

Selected Exhibitions

2019

Discerning Eye Aesthetica Award
ING Discerning Eye – Mall Galleries
Woolwich Contemporary Print Fair

2018

Residues – By Other Means Gallery, London
ING Discerning Eye – Mall Galleries
Meet the Members – London Print Studio
Identity – Kindred Studios, London

2017

Unique Beauty – Cupola Contemporary Art, Sheffield
Affordable Art Fair, London
Portrait 17 – Degree Art, London

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Andrew Bylo

Andrew Bylo is an artist and illustrator with 38 years’ experience in the worlds of Advertising, Design & Editorial: 2019 finds him working mostly for a major client in Japan via Far East agent Cross World Connections based in Tokyo. He will shortly be starting on the 2020 collection.

Andrew’s core skill is working from life, swiftly and accurately in media from pencil/pencil crayon to gouache or acrylic. Stylistically, his work ranges from economical line drawing to full atmospheric colour. Spontaneity is the hallmark of his work.

During a rich & varied professional career, he’s had afternoon tea with Ian Dury at The Waldorf Astoria as part of a book project for Faber & Faber on emerging creatives, and been sent to Patrick Moore’s house to draw his portrait from life on behalf of Mitchell Beazley, only to be told by the celebrated astronomer that the drawing was ‘a grotesque caricature’. The publishers had warned Andrew it might not go well…

Drawing and painting people from life is his real love, and he was appointed in October 2017 as ‘portrait-painter-in-residence’ for London-based agency ‘krow’ and has painted all 54 of krow’s team. Malcolm White, chief strategy officer and founder of krow, said: “Andrew Bylo’s genius is in working quickly to seize a recognisable impression of an individual. We commissioned him to celebrate the role our people play in the success of the agency, and to make our office walls far more personal.”

Andrew Bylo is an avid keeper of sketchbooks, dating back to the 1970s, about 130 or so at the last count, and in his spare time, curiously enough, he rather likes to draw and paint.

Artist Summary
Artist Biography

Categories:

Paintings

Medium:

Drawing/Caligraphy
Painting on Canvas
Painting on Paper

Subject Matter:

Architectural
Cityscape/Urban
Interiors
Landscape
Music
Portrait/Figurative
Seascape/Water

Andrew Bylo - Institute of Practioners in Advertising

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Rebecca Gouldson

Rebecca Gouldson creates elegant, bespoke metal and enamel wall pieces for private, corporate and public spaces.

The beautifully etched, rich metallic surfaces are created using techniques more traditionally used by printmakers. These expressive, reflective surfaces engage the viewer as they transform with the changing light of the day.

Rebecca draws inspiration from diverse subject matter, including architecture, the rural landscape, and maps. Working closely with her clients, each response to a commission brief involves taking photographs, and making drawings, prints and collages on paper. This imagery is combined, manipulated and then etched in to metal. Layers of processes, including electroplating and chemical patination, are used in innovative sequences, which push the boundaries of metalworking, to create unique objects.

Having established her studio in 2003, Rebecca Gouldson quickly rose to acclaim at first nationally, receiving awards from the Crafts Council and Crafts Magazine, and then internationally, exhibiting in the USA at prestigious shows such as SOFA Chicago and Philadelphia Museum of Art Craft Show. Back in the UK, her work was sold at London and Edinburgh Art Fairs.

Since then, she has been working on projects as diverse as superyachts, board rooms, and luxury jewellery and fashion brands in the US, Japan and the Middle East. In 2014, Rebecca extended her artistic practice to include vitreous enamel, which has extended the potential of her commission work in to architectural facades and outdoor sculptures.

Artist Summary
Artist Biography

Categories:

Sculptures
Installations
Wall Panels

Medium:

Enamel
Installation
Sculpture – Metal Fabricated
Sculpture – Mixed Media
Other

Subject Matter:

Abstract
Animal/Botanical
Architectural
Cityscape/Urban
Geographical
Historical
Landscape
Seascape/Water
Sporting
Still Life

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Lucy Cooper

Lucy Cooper is a London-based artist and print maker whose current work explores the theme of reflection. Water reflections feature in many of her prints, while reflection in the broader sense of contemplation and consideration also runs through her art.

Lucy’s prints invariably feature everyday sights of her local Docklands neighbourhood, which she photographs and then develops digitally. With a lifelong fascination with water and its constantly changing colours, textures and moods, she is particularly interested in the way light plays on the surface of water and the distortions made by reflections in water and glass.

Recent work exploring reflections, colours and patterns in contemporary London architecture expands this to the built environment. Exploiting the seemingly infinite possibilities and potential of working digitally, Lucy Cooper explores unusual and often unexpected combinations of colour and pattern, transforming the original photograph into a semi-abstract artwork inviting the viewer to consider the subject from a different perspective.

These images are then output as limited edition fine art giclée prints.

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Artist Biography

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Amy Salisbury

Amy Salisbury is never happier than when she has got paint between her toes…..literally! ‘I guess you could say I’m a converted art conservator and designer who prefers to get her hands dirty.’

She has produced commissioned art which is dotted around hotels, offices and private homes from London to Warsaw. Amy studied at UCL and The Courtauld Institute of Art, and has worked in the arts for over 25 years.

Amy Salisbury’s latest collection is inspired by the BBC series ‘Blue Planet’ and the underwater world and aerial shots of our beautiful world. The free flowing nature of the paints and technique used reflects the natural patterns – uncontrollable and moving to its’ own rhythm.

Different forms of nature can be seen within these paintings – and I hope each viewer will see something new for themselves.

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Artist Summary
Artist Biography

Categories:

Paintings
Prints

Mediums:

Paintings on Canvas
Paintings on Panel
Prints – Artist

Subject Matter:

Abstract
Animal/Botanical
Landscape
Seascape/Water

Amy Salisbury - Fairy Pools - Isle of Skye

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Never happier than when I’ve got paint between my toes…..literally! I guess you could say I’m a converted art conservator and designer who prefers to get her hands dirty.

Amy Salisbury

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Living Wall Murals

Living Wall Murals is the duo Mary West and Clara Wilkinson. Mary studied Fine Art at the Slade and Clara studied at St. Martins and Camberwell before training for a career in interior design.

Our murals came about through a love of painting and a shared aesthetic in design and interiors. We began by experimenting in colour and scale on the walls of our own homes and then, through word of mouth our business grew. We now specialise in botanical and abstract murals for domestic or commercial interiors. Our projects range in scale from bold and bonkers, to delicate fine foliage.

Living Wall Murals have created many murals in London and Brighton over the past two years. Our latest commissions include a 13 metre mural in a private house in Highgate. A 5 metre mural at Huddle London and a new commission for a 25 metres mural for a London hospital. Our paintings and prints are also available.

We like creating art that doesn’t add more stuff to the world. We bring beauty and a little bit of ‘up-cycling’ to your wall.

Artist Summary
Artist Biography

Categories:

Paintings
Installations
Other – Murals

Mediums:

Mural – emulsion and oil paint
Paintings – oil on canvas
Prints – digital prints on oil paintings

Subject Matter:

Animal/Botanical

Living Wall Murals - Dark & Pink by Clara

Living Wall Murals - Huddle Mural - detail

Living Wall Murals - Highgate Mural - Detail

Living Wall Murals - Highgate Mural - Detail 1

Living Wall Murals - St John's Wood Mural - Detail

Living Wall Murals - Yellow 2 by Mary West

Living Wall Murals - Tropical Pink by Mary

Living Wall Murals - Brunswick School Mural

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We like creating art that doesn't add more stuff to the world. We bring beauty and a little bit of 'up-cycling' to your wall.

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Katayoun Dowlatshahi

Katayoun Dowlatshahi graduated in Fine Art Printmaking from Edinburgh. Received an MA in European Art from Barcelona and Winchester. Katayoun was awarded a Doctorate (PhD) in Drawing and Photography from The University of Gloucestershire with a specialism in Carbon Photography (a 19th century photographic process). Since 1995 she has lectured in a number of universities as well developing her practice as a full-time professional artist. In more recent years she has worked with children within school settings.

She has been awarded several national and international residencies, fellowships and has continued to exhibit regularly, both in the UK and abroad.

Katayoun Dowlatshahi works in fine print, analogue/digital photography, drawing and architectural glass, using combinations of these in her work. She creates site responsive works that link landscapes with memory and place. Her major achievements are in public art and in her unique constructed photographic artworks, some of which have been acquired for private collections.

One of Katayoun’s skills is her ability to collaborate with urban design teams on significant regeneration projects across the UK, to integrate art into the fabric of new developments and heritage sites. Placemaking is at the heart of her practice.

Artist Summary
Artist Biography

Categories:

Prints
Photography
Digital
Installations
Glass

Mediums:

Collage
Digital
Mixed Media
Pastel
Photomontage
Prints – Etchings & Screenprints
Video/Film

Subject Matter:

Abstract
Architectural
Landscape
Seascape/Water

Katayoun Dowlatshahi - The Birds Stone Chat

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Tom Waugh

Tom Waugh MRSS is a British sculptor based in Somerset. He has been an associate member of the Royal Society of Sculptors since 2018. In 2005 he gained a First in Architectural Stone Carving at the City and Guilds of London Art School and has spent time in India studying traditional carving techniques with the temple carver Raja Saceran.

‘I find it fascinating that sculpture has the ability to cause a shift in people’s perception. In my work I hope to challenge ideas of material value and make people look again at the things we take for granted.’

Tom Waugh carves stone and marble in minute detail to mirror the discarded waste of human consumption. These objects document the tiny imprints of human use. Plastic bags, cardboard boxes and tin cans are squashed, crushed and wrinkled whilst still displaying the traces of mass production.

His carving can be seen on St Pancras Station, St Martin in the fields and St Georges Chapel, Windsor. His Sculptures are exhibited widely and can be seen in the collections of Warwick University and Gladstone’s Library.

Artist Summary
Artist Biography

Categories:

Sculpture

Type:

Exterior
Interior
Tabletop

Medium:

Stone

Subject Matter:

Hyper-Realistic
Still Life

Tom Waugh - Stone Carving in 'Leaving' by Nicholas Dimbleby

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I find it fascinating that sculpture has the ability to cause a shift in people’s perception. In my work I hope to challenge ideas of material value and make people look again at the things we take for granted.

Tom Waugh

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Sue King

Sue King is inspired by colour & light. She designs and creates vibrant kiln-formed glass for residential and commercial interior projects, including specialising in healthcare commissions. Her work also includes smaller items such as hanging panels and tableware using a contemporary style and colour palettes.

Originally qualifying with BA Interior Design. Sue worked for various hotel design practices, before running her own design consultancy for many years. She studied Glass with Architecture/Fine Art at Central St Martins College of Art & Design in 2002.

All of Sue’s work is imbued with a passion for colour, taking inspiration from artists, nature and pattern and her own photography/artwork. She has developed a fluid technique of working in a painterly style whereby coloured glass is cut freehand, overlaid onto clear glass and then fired at temperatures of around 810 degrees to fuse together. Her designs are all unique and one off pieces.

Sue King’s commissions are developed closely with clients using hand drawn watercolour sketches that are then translated into glass. This helps her clients to see a visual representation of their vision and ideas so they are fully involved throughout the commission process.

Sue enjoys exploring how glass interacts with light and often incorporates textural markings to bring out these qualities. Glass shows its best qualities when displayed in natural light, which then throws beautiful colour shadow washes into the surrounding space.

Larger commissions include panels for healthcare projects, as well as contemporary stylish sculptures for a Saudi Arabian hotel, panels for Molton Brown in New York and many glass installations for private homes.

Artist Summary
Artist Biography

Categories:

Glass

Glass Type:

Accessories
Wall Panels

Mediums:

Mixed Media
Stained Glass

Subject Matter:

Abstract
Architectural
Interiors
Landscape

Sue King - Wall Triptych - Salisbury BCU

Sue King - Blue & Green Leaf Dish-Detail

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My commissions are developed closely with clients using hand drawn watercolour sketches that are then translated into glass. This helps her clients to see a visual representation of their vision and ideas so they are fully involved throughout the commission process.

Sue King

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BlinkArt

BlinkArt uses photographic and digital techniques to create art works with a strong emphasis on colourful layered imagery. By manipulating the colour, texture, light and shape of these layers they have developed techniques that allow it to enhance ideas, concepts, compositions, and subject matter. Inspiration comes from the development, experimentation and evolution of individual projects.

BlinkArt has been working closely with clients, designers and consultants for over 20 years creating original, bespoke commissioned artworks.

With an emphasis on architecture, nature and abstract elements they create dynamic large scale works using photographic and digital techniques. Works can be produced on various substrates including acrylic, aluminium and glass.

Amongst others BlinkArt has produced work for offices, healthcare, retail and private clients. Whilst working on site specific projects they can incorporate local architectural elements into the work to create original ideas that are both relevant and visually engaging.

Artist Summary
Artist Biography

Categories:

Prints
Photography
Digital
Wall Panels

Mediums:

Digital
Photography
Photomontage
Prints – Digital
Prints – Other

Subject Matter:

Abstract
Animal/Botanical
Architectural
Cityscape/Urban
Geographical
Landscape

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My art switches back and forth between an engagement with socio-political issues and subconscious renderings. I can’t escape my concern for the wrongdoing in the world and within my art a surface layer of humour, absurdity and the arcane masks a strong undercurrent of concern for humanity.

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I create engaging artworks in a distinct semi abstract style inspired mostly by water and the marine environment.

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I have always been interested in exploring different materials on which to paint including metal, concrete, glass & Perspex. In using these materials, I’ve always sought to blur the boundaries between the illusory nature of paint and the physical properties of materials.

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The image of the sea and my thoughts about memory and identity are ever present in my work.

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The surface of these oil paintings are untamed, highly worked and layered, difficult to look away from, I use oils and mixed media to create texture and form in my paintings.

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The hand cast porcelain discs are miniature sculptures each with a unique relief and impression which plays with shadow and light.

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My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.

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The ever changing colours and shapes of the Aberdeenshire landscape is the inspiration for my work. As the countryside alters with the seasons, the work responds to transient shifts of light, capturing moments in colour.

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“No other wood will do – drift wood has withstood the test of time, yet it still holds its beauty, strength and power, much like our beloved elephants.”

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After meditating on a work for some time I use my “minds eye” to contemplate where the next mark is to be placed, I will then work rapidly and instinctively.

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Never happier than when I’ve got paint between my toes…..literally! I guess you could say I’m a converted art conservator and designer who prefers to get her hands dirty.

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We like creating art that doesn't add more stuff to the world. We bring beauty and a little bit of 'up-cycling' to your wall.

Enquire about

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I find it fascinating that sculpture has the ability to cause a shift in people’s perception. In my work I hope to challenge ideas of material value and make people look again at the things we take for granted.

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My commissions are developed closely with clients using hand drawn watercolour sketches that are then translated into glass. This helps her clients to see a visual representation of their vision and ideas so they are fully involved throughout the commission process.

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