Kevin Killen

For Northern Irish artist Kevin Killen, sculpture begins with observation. The rhythms of a landscape, the movement of people through a city, and the unseen connections between architecture, history and community become the foundation for works that reveal what often goes unnoticed.

Working across steel, stainless steel, neon, LED and 3D-printed elements, Killen creates sculptures that respond directly to the character of a place. Through carefully integrated light and precisely fabricated forms, his work transforms public and architectural spaces, inviting viewers to slow down, look again and experience their surroundings in new ways.

My practice explores how light, movement and memory shape our experience of place. Working across steel, stainless steel, neon, LED and 3D-printed elements, I design, fabricate and install sculptural works that make hidden systems of movement, connection and human presence visible within public and architectural spaces.

Each work begins with research—walking a site, mapping routes, drawing, photographing and recording light over time. These observations become the starting point for sculptural forms and illuminated structures that embody a sense of journey, rhythm and collective experience. I am fascinated by the way people move through spaces, and how public art can create moments of pause, recognition and connection within that movement.

Every commission is shaped by the identity and history of its location, combining durable materials with light so that each work evolves between day and night. This ongoing exploration of movement has drawn inspiration from many sources: personal journeys, transport networks, dance, the flight patterns of birds and insects, and the rhythms of the human body. Together they reveal the often-invisible patterns that connect people, places and memory, transforming the familiar into something newly observed.

View Current Artworks

Category:

  • Sculpture

Medium:

  • Sculpture – Metal Cold Cast
  • Sculpture – Light

Subject:

  • Interiors
  • Abstract
  • Architectural
  • Cityscape/Urban
  • Landscape
  • Transport/Aviation
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    Carl Rowe

    Carl Rowe studied Fine Art at Manchester Polytechnic, graduating with an MA in 1985. He currently lives in Norwich and is a former Associate Professor and Course Leader in Fine Art at Norwich University of the Arts. He is an artist member and studio holder at OUTPOST in Norwich and is also a member of the Printmakers Council. Carl Rowe has an international profile as both an artist and an academic. His work has been exhibited widely in the UK as well as in Germany, Spain, Portugal, Ireland, Italy, Canada, US, Estonia, Japan, Malaysia and Egypt. In addition to studio production he has also worked on public art including billboards, print portfolios and hospital art. In 2018 Rowe was commissioned by Hospital Rooms to make work for Woodlands Mental Health Unit at Ipswich Hospital and is currently engaged in a new project with Hospital Rooms.

    “My art switches back and forth between an engagement with socio-political issues and subconscious renderings.

    I can’t escape my concern for the wrongdoing in the world and within my art a surface layer of humour, absurdity and the arcane masks a strong undercurrent of concern for humanity. When I ease off the direct engagement with current affairs, symbols, objects and graphic devices float up from somewhere in my memory and arrange themselves in unlikely compositions.”

    Carl Rowe works with both paint, sculpture and print process. The materials that I use are often intrinsically connected with the images they portray such as the work Drool, an installation made with ink containing herbs and spices from the G20 countries and the Serbian paprika used in Deprecated Location, a screen print depicting Archduke Franz Ferdinand. Recent paintings, drawings, sculptures and prints present an obsession with clay pipe fragments, hazard warnings, cylindrical containers and clouds of particulates.

    View Current Artworks

    Categories:

    • Paintings
    • Prints
    • Sculptures
    • Installations

    Mediums:

    • Collage
    • Mixed Mediums
    • Paintings on Canvas, Panel and Paper
    • Sculpture – Mixed Mediums, Recycled Materials and Wood

    Subject Matter:

    • Abstract
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    My art switches back and forth between an engagement with socio-political issues and subconscious renderings. I can’t escape my concern for the wrongdoing in the world and within my art a surface layer of humour, absurdity and the arcane masks a strong undercurrent of concern for humanity.

    Carl Rowe

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      Jonathan Page

      Jonathan Page is driven by a desire to explore the boundaries between an aesthetic, harmonic perfection and the inherent imperfection of human creation. He celebrates the intricacies of artisanal craft within an increasingly mechanised world, incorporating visceral and instinctive approaches toward his art. He endeavours to explore ideas of purity and perfection within the boundaries of human consciousness.

      Jonathan Page specialises in modern abstract sculptures finished in clay, fibreglass, bronze and steel.
      “My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.”

      Jonathan’s work is collected internationally and held in numerous private collections.

      Categories:

      • Sculpture
      • Wall Panels

      Mediums:

      • Ceramic
      • Metal-Cast
      • Metal-Coldcast
      • Resin

      Subject Matter:

      • Abstract
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      My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.

      Jonathan Page

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        Tom Waugh

        Tom Waugh MRSS is a British sculptor based in Somerset. He has been an associate member of the Royal Society of Sculptors since 2018. In 2005 he gained a First in Architectural Stone Carving at the City and Guilds of London Art School and has spent time in India studying traditional carving techniques with the temple carver Raja Saceran.

        ‘I find it fascinating that sculpture has the ability to cause a shift in people’s perception. In my work I hope to challenge ideas of material value and make people look again at the things we take for granted.’

        Tom Waugh carves stone and marble in minute detail to mirror the discarded waste of human consumption. These objects document the tiny imprints of human use. Plastic bags, cardboard boxes and tin cans are squashed, crushed and wrinkled whilst still displaying the traces of mass production.

        His carving can be seen on St Pancras Station, St Martin in the fields and St Georges Chapel, Windsor. His Sculptures are exhibited widely and can be seen in the collections of Warwick University and Gladstone’s Library.

        Categories:

        • Sculpture

        Type:

        • Exterior
        • Interior
        • Tabletop

        Medium:

        • Stone

        Subject Matter:

        • Hyper-Realistic
        • Still Life
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        I find it fascinating that sculpture has the ability to cause a shift in people’s perception. In my work I hope to challenge ideas of material value and make people look again at the things we take for granted.

        Tom Waugh

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          Colin Rose

          Colin Rose has worked as a sculptor for over thirty years. He has exhibited throughout the UK and Europe and has undertaken many public sculpture commissions.

          He has undertaken public sculpture commissions for a very wide range of clients in various mediums. Colin usually works by taking a brief from the client and allowing the brief and the site to lead the design. Over the years he has worked in a variety of mediums from mirror polished stainless steel to stone. More unusually he has worked with Rope, Brick and even Coal Dust depending on the requirement of the brief.

          While developing his practice Colin taught fine art and was head of Sculpture at Sunderland University from 2000 till 2006.

          In addition to making sculpture, Colin Rose has a strong passion for drawing and the immediacy the process offers. The understanding gained through drawing is an important tool in the development of his designs and his working practice.

          Categories:

          • Sculptures
          • Paintings
          • Other

          Sculpture Types:

          • External
          • Internal
          • Tabletop

          Mediums:

          • Drawings
          • Paintings on Canvas
          • Sculpture – Metal Fabricated
          • Sculpture – Mixed Media
          • Sculpture – Resin
          • Sculpture – Other (Rope, Brick & Coal Dust)

          Subject Matter:

          • Abstract
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            Louise Plant

            Louise Plant creates sculpture inspired by the dynamics of movement. She works with marble, stone, bronze, cast iron and steel and has a particular feel for the direction the material wants to go. Her sculptures are visually striking with a wonderful sense of aliveness and  character.

            Louise studied sculpture with the Open College of the Arts in 1992, whilst working full time as a teacher. Leaving teaching in 1994, Louise continued to study and make sculpture. She was elected Member of the Royal Society of Sculptors in 2003 and became Fellow in 2014.

            Louise Plant has exhibited widely including MOCA, Cheeseburn Grange, Asthall Manor, New Walk Museum and Art Gallery, the Usher and Wysing Arts.

            Awards include the Brian Mercer Scholarship, Studio Sem, Italy, the KKV Bohuslän Scholarship, Sweden and the Year of the Artist Award, Arts Council England.

            Her work is held in private collections globally and she has been commissioned by the MOD Northwood, the RNIB Loughborough, Durham County Council, Somerset County Council and the Waldorf Astoria Bangkok.

            View Current Artworks

            Categories:

            • Sculptures
            • Prints

            Mediums:

            • Drawing
            • Prints – Screenprints
            • Prints – Other
            • Sculpture – Metal-Cast
            • Sculpture – Metal-Fabricated
            • Sculpture – Stone

            Subject Matter:

            • Abstract
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              Pierre Diamantopoulo

              Pierre Diamantopoulo has two distinct strands to his figurative style. They seem to be intellectually and emotionally worlds apart, but they share the same impetus.

              One is a cool and measured response to a profound sense of unrest. In this work, figures fly in defiance or are challenged by their environments. They ‘trippingly’ negotiate upheaval or uncertainties — each work is a balancing act, a metaphor for a precarious state of living or existence. Androgynous and anonymous human figures tilt and fall away – on and off objects that also teeter on a chaotic or shifting stage. Figures may be set free against strongly convergent lines, shapes and forms.

              The other strand of Pierre Diamantopoulo’s practice is ambiguous, allegorical and atavistic, but still concerned with mercurial forces. Here, he works on impulse— mixing dark foolery, the poetic and the literary with theatre and folklore— blended with a sort of logical nonsense. This may be a voyage into the past, personal or absurd, diverted by the raw and primitive, with the wit, the mimic and maverick on board. These works are often executed with an immediate, freer hand, exploiting the texture of the raw material.

              Categories:

              • Sculptures
              • Paintings

              Sculpture Type:

              • Exterior
              • Interior
              • Tabletop

              Mediums:

              • Metal-Cast Sculpture
              • Metal-Fabricated Sculpture
              • Paintings on Canvas
              • Paintings on Paper

              Subject Matter:

              • Abstract
              • Animal/Botanical
              • Portrait/Figurative
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              There are two distinct strands to my figurative style. They seem to be intellectually and emotionally worlds apart, but they share the same impetus.

              Pierre Diamantopoulo

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                Dorothy Brook

                Dorothy Brook became a sculptor in a roundabout way. She had studied Graphic Design at St Martins School of Art and worked as a freelance designer for about 10 years. When circumstances changed, a friend suggested she join a sculpture class. She loved it having no idea that she would be able to work in three dimensions having been used to seeing everything from a graphic and linear perspective.

                To her surprise her graphic background gave her work a very different look. The lines and curves have to flow when viewed from every angle. The form is pared down until all that is left is its essence. Ultimately the aesthetic of the piece is the most important element.

                Although Dorothy may start a sculpture with an armature and an idea of what she is going to make, it very often changes during the process. It is the sculpture that dictates where it is going and she follows, refining the lines as it progresses. Usually working in plaster as she finds it is easier to achieve the sharp edges and smooth surfaces that define her style. ‘I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.’

                Dorothy Brook still loves the process as much as she did in that first sculpture class. The realisation that her drawings can and have come to life is very satisfying, not bad for a Graphic Designer!

                Categories:

                • Sculpture
                • Paintings

                Sculpture Types:

                • Exterior
                • Interior

                Mediums:

                • Sculpture – Metal-Cast
                • Sculpture – Resin
                • Painting on Paper
                • Pastels
                • Drawing

                Subject Matter:

                • Abstract
                • Figurative
                • Landscape
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                'I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.'

                Dorothy Brook

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                  Philip Melling

                  Philip Melling works predominantly in metals creating an eclectic range of sculpture for exhibition, private clients and public installation.

                  He draws inspiration mostly from the materials he uses. Through concepts of movement and through experimentation he develops the shape of his sculptures.

                  His collection ‘Elements’ focuses on Earth, Air, Water and Fire and describing the reaction when those elements meet.

                  In developing the collection Philip Melling concentrated on using a repetitive form – curved metal bars, to generate concepts and capture the movement of elemental reactions.

                  Philip’s sculptures are designed to work as sculptures for the home, office and garden, as well as larger scale installations for private or public spaces.

                  Categories:

                  • Sculptures

                  Sculpture Type:

                  • Exterior
                  • Interior

                  Mediums:

                  • Sculpture – Metal-Fabricated

                  Subject Matter:

                  • Abstract
                  • Architectual
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                    Ian Turnock

                    Ian Turnock produces sculpture inspired by patterns and symmetry in nature. One of his main sources of inspiration are the silhouettes formed against the sky by tree foliage at different times of the year.

                    The spaces between the branches and leaves are just as important. A concept known in Japanese gardens as ‘Ma’, and is akin to the silences between the notes in music. Sometimes it is the gaps I am looking for just as much as the leaves themselves.

                    Ian Turnock has a background in graphic design which influences his exploration of form and line. Drawings and photographs are the starting point from which he develops organic, abstract and figurative sculpture.

                    Ian creates intricate and detailed drawings from which the final artwork is digitally cut. The designs can be cut in stainless steel, corten, aluminium, copper, reclaimed steel and plywood. This transforms the drawn line into a tangible object.

                    Categories:

                    • Sculpture

                    Sculpture Type:

                    • Exterior
                    • Interior

                    Mediums:

                    • Sculpture – Metal-Fabricated

                    Subject Matter:

                    • Abstract
                    • Animal/Botanical
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                    I create intricate and detailed drawings from which the final artwork is digitally cut into stainless steel, corten, aluminium, copper, reclaimed steel and plywood, transforming the drawn line into a tangible object.

                    Ian Turnock

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                      Zac Greening

                      Zac Greening draws his inspiration principally from nature – ‘the ultimate sculptress’. He finds the sculptural forms created by the sun, moon, waves and trees particularly inspiring as symbols of sustainability.

                      He works in a wide range of media from discarded plastic bottles to organic matter. Often these materials are fused together to reinforce the aesthetic or narrative that he’s looking to express.

                      A narrative is created that highlights the relationship between man and the natural environment.

                      Common themes found in his work often abstractly express or make a comment on current issues. Issues such as sustainability, environmental degradation, or consumption. Alternatively they may simply be an expression of the marvel and awe he sees in a sunset or the kinetic and meditative experience found in the rolling of sea waves.

                      Zac Greening communicates and reminds the viewer of mankind’s inextricable socio-economic and spiritual link with the natural world

                      Categories:

                      • Sculptures
                      • Installations
                      • Wall Panels

                      Sculpture Type:

                      • Exterior
                      • Interior

                      Medium:

                      • Mixed Media
                      • Recycled Materials
                      • Wood
                      • Other

                      Subject Matter:

                      • Abstract
                      • Animal/Botanical
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                      A narrative is created that highlights the relationship between man and the natural environment. Common themes found in my work often abstractly express or make a comment on current issues.

                      Zac Greening

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                        Chris Wood

                        Chris Wood’s medium is light. She uses a range of high and low-tech optical materials to harness patterns of light that suggest ephemeral glimpsed moments in the natural world.

                        Her sculptures are simple arrangements creating kinetic patterns in response to the environments in which they are placed. Her work brings a wistful romanticism to a minimalist aesthetic. Chris Wood orders the accidental and makes us reflect on the experience of seeing.

                        After studying Furniture Design at Middlesex University in the mid 1980s. She then went on to study glass at the Royal College of Art, where she worked on architectural scale projects dealing with light and space.

                        Chris Wood produces innovative installations for gallery exhibition. She has shown extensively throughout the UK and internationally. Her work is represented in a number of private collections as well as the Shanghai Museum of Glass.

                        She also produces work to commission and has created works for Fendi Fashion House, Great Ormond Street Hospital, Premier Inn Hotel and a Scandinavian cruise ship. Chris is currently working on her largest project to date in Taiwan.

                        Categories:

                        • Sculpture
                        • Installations
                        • Wall Panels
                        • Glass

                        Sculpture Type:

                        • Exterior
                        • Interior

                        Glass Type:

                        • Dichroic Glass Wall Panels

                        Mediums:

                        • Installations
                        • Light
                        • Mixed Media
                        • Sculpture – Mixed Media
                        • Sculpture – Glass

                        Subject Matter:

                        • Abstract
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                        My sculptures are simple arrangements creating kinetic patterns in response to the environments in which they are placed.

                        Chris Wood

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                          Mark Beattie MRSS

                          Mark Beattie MRSS is a British award winning sculptor who lives and works in London.

                          In 2015, Mark won the Midlands Open, The Xerxes Sculpture Prize and was elected a Member of The Royal Society of Sculptors (MRSS). In 2017 Mark was shortlisted for the Open Contemporary Young Artist Award run by the Biscuit Factory Gallery in Newcastle and long-listed for The Secret Art Prize by Curious Duke Gallery and also for the international Rise Art Prize.

                          Working with various metals in all their contrasting properties of texture and finish, Mark can make industrial materials appear fluid, malleable and delicate. He continues to study different metals, looking at ways to manipulate and add movement to the material.

                          Over the past 3 years Mark has been developing ways in which neon and LED’s can complement his sculptures, adding to the movement of a piece and catching the viewer’s eye.

                          Mark has a strong academic background in art, having studied a BA Hons (International) in Contemporary Art Practice at Leeds University, with a period at the Australian National University at Canberra, and after an MA in European Arts Practice at Kingston University, Surrey. To date he has now exhibited in over 60 exhibitions, solo and group and has a strong following from collectors both in the UK and abroad.

                          View Current Artworks

                          Download Full Biography

                          Categories:

                          • Sculpture
                          • Wall Panels

                          Sculpture Type:

                          • Exterior
                          • Interior
                          • Tabletop

                          Mediums:

                          • Sculpture – Metal-Fabricated
                          • Sculpture – Mixed Media
                          • Sculpture – Light

                          Subject Matter:

                          • Abstract
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                          I strive to make industrial materials appear fluid, malleable and delicate and continue to study different metals, looking at ways to manipulate and add movement to the material.

                          Mark Beattie

                          Enquire about

                            We will only use your personal information to send you information which you have requested from us. However, from time to time we may contact you with details of other services we provide. If you consent to us contacting you for this purpose please tick to confirm.

                            I consent

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