Sculpture Archives

Sara Stode Winter

Swedish born, London based artist Sara Stode Winter has spent her working life in steady pursuit of creative fulfilment. With a background in fine art and illustration and many years of professional experience in different creative fields, she has acquired a strong artistic confidence and a unique expression that manifests in her abstract paper sculptures. Taking inspiration from her Scandinavian roots, Sara’s sculptures showcase a refined aesthetic and a considered use of colours and materials which, along with her avant-garde mindset, lends each piece an intriguing air of beauty and wonder.
Control is overrated. Interesting things happen when you surrender to the fact that you never really had any in the first place. Shedding a lifelong quest for perfection and preciseness I am now making art as an exploration of what happens when an open creative mind meets malleable materials.

Sara Stode Winter makes large scale sculptures out of quality Italian crepe paper. “When I came across this beautiful paper I was instantly drawn to the playfulness of its properties. Even now the possibilities still seem endless. To dye and manipulate the paper I use different media and techniques in processes that render each piece truly unique. The sculptures all take shape organically; from initial idea to finished artwork nothing is forced into being. I let the paper lead the way.”
Lately Sara has felt a pressing need to make large sculptures, which makes perfect sense. As the physical manifestations of her unleashed creativity, the pieces that emerge demand scale. No longer getting lost in the details, Sara is finding and claiming her space.

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Artist Summary
Artist Biography

Categories:

Sculpture
Wall Panels

Mediums:

Gilding
Mixed Media
Paper/Paper Pulp
Pastels

Subject

Abstract

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When I came across this beautiful paper I was instantly drawn to the playfulness of its properties. Even now the possibilities still seem endless. To dye and manipulate the paper I use different media and techniques in processes that render each piece truly unique. The sculptures all take shape organically; from initial idea to finished artwork nothing is forced into being. I let the paper lead the way.

Sara Stode Winter

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Carl Rowe

Carl Rowe studied Fine Art at Manchester Polytechnic, graduating with an MA in 1985. He currently lives in Norwich and is a former Associate Professor and Course Leader in Fine Art at Norwich University of the Arts. He is an artist member and studio holder at OUTPOST in Norwich and is also a member of the Printmakers Council. Carl Rowe has an international profile as both an artist and an academic. His work has been exhibited widely in the UK as well as in Germany, Spain, Portugal, Ireland, Italy, Canada, US, Estonia, Japan, Malaysia and Egypt. In addition to studio production he has also worked on public art including billboards, print portfolios and hospital art. In 2018 Rowe was commissioned by Hospital Rooms to make work for Woodlands Mental Health Unit at Ipswich Hospital and is currently engaged in a new project with Hospital Rooms.

“My art switches back and forth between an engagement with socio-political issues and subconscious renderings.

I can’t escape my concern for the wrongdoing in the world and within my art a surface layer of humour, absurdity and the arcane masks a strong undercurrent of concern for humanity. When I ease off the direct engagement with current affairs, symbols, objects and graphic devices float up from somewhere in my memory and arrange themselves in unlikely compositions.”

Carl Rowe works with both paint, sculpture and print process. The materials that I use are often intrinsically connected with the images they portray such as the work Drool, an installation made with ink containing herbs and spices from the G20 countries and the Serbian paprika used in Deprecated Location, a screen print depicting Archduke Franz Ferdinand. Recent paintings, drawings, sculptures and prints present an obsession with clay pipe fragments, hazard warnings, cylindrical containers and clouds of particulates.

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Artist Summary
Artist Biography

Categories:

Paintings
Prints
Sculptures
Installations

Mediums:

Collage
Mixed Mediums
Paintings on Canvas, Panel and Paper
Sculpture – Mixed Mediums, Recycled Materials and Wood

Subject Matter:

Abstract

Carl Rowe - Exceeding the Limits of the Box

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My art switches back and forth between an engagement with socio-political issues and subconscious renderings. I can’t escape my concern for the wrongdoing in the world and within my art a surface layer of humour, absurdity and the arcane masks a strong undercurrent of concern for humanity.

Carl Rowe

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Neale Marriott

Neale Marriott’s work explores our relationship with the places around us, whether the fleeting joy of the natural landscape or the complexity and enclosure of urban spaces. I see my artworks as constituting a journey in different ways. First, I want them to have an energy and sense of movement within themselves in order to replicate our interaction with the world. They also explore a journey from figuration to a more dynamic abstraction. Finally, in my sculptural work particularly, they are a reflection on a more generic human journey with references to history, progress, science and geography.

I have always been interested in exploring different materials on which to paint including metal, concrete, glass & Perspex.

In using these materials, I’ve always sought to blur the boundaries between the illusory nature of paint and the physical properties of materials.

Neale Marriott’s paintings and painted construction pieces on layers of acrylic Perspex and concrete try to take painting into new spatial and sculptural areas by creating an experience that subtly shifts and changes as the viewer moves around them. The aim is to create more interactive spatial artworks that better represent our experience and explore different contexts and narratives.

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Artist Summary
Artist Biography

Categories:

Paintings
Sculptures
Installations

Medium:

Paint on Glass
Paint on Clear Acrylic
Sculptures- Concrete/Plaster

Subject Matter:

Abstract
Cityscape/Urban
Landscape

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I have always been interested in exploring different materials on which to paint including metal, concrete, glass & Perspex. In using these materials, I’ve always sought to blur the boundaries between the illusory nature of paint and the physical properties of materials.

Neale Marriott

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Jonathan Page

Jonathan Page is driven by a desire to explore the boundaries between an aesthetic, harmonic perfection and the inherent imperfection of human creation. He celebrates the intricacies of artisanal craft within an increasingly mechanised world, incorporating visceral and instinctive approaches toward his art. He endeavours to explore ideas of purity and perfection within the boundaries of human consciousness.

Jonathan Page specialises in modern abstract sculptures finished in clay, fibreglass, bronze and steel.
“My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.”

Jonathan’s work is collected internationally and held in numerous private collections.

Artist Summary
Artist Biography

Categories:

Sculpture
Wall Panels

Mediums:

Ceramic
Metal-Cast
Metal-Coldcast
Resin

Subject Matter:

Abstract

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My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.

Jonathan Page

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Patricia Mitchell

Patricia Mitchell draws inspiration from experiences gained through her extensive travels and conservation work in Africa, Patricia’s love of nature, botany and global culture and tradition clearly resonates through her work as a mixed media artist.

PAPER: From the magic of a murmuration of starlings; the plight of global deforestation; a myriad of majestic African animals; origami diamonds; sculptured paper fish; origami Japanese slippers to even a colourful selection of bees, dragonflies and beetles – every piece Patricia sculpts from paper comes with a thought provoking narrative.

MESH: The other genre of her portfolio are her signature abstract elephant sculptures made with aluminium mesh,

coated with a mix of 24ct gold and Fools Gold. Her golden elephants can either be seen in family herds or alone, marching along on pieces of ancient drift wood, sourced from the Jurassic coasts of New Zealand. “No other wood will do – drift wood has withstood the test of time, yet it still holds its beauty, strength and power, much like our beloved elephants.”

Behind the awe inspiring intricacy of Patricia Mitchell’s paper and mesh sculptures, there always lies an empowering story which can be either be absorbed, be viewed in passing or can be used as an interesting topic to research and to discuss.

Artist Summary
Artist Biography

Categories:

Sculptures
Installations
Wall Panels

Sculpture Type:

Internal
Table Top

Mediums:

Mixed Media
Gilded Aluminium Mesh
Sculpture – Paper
Sculpture – Wood
Sculpture – Other

Subject Matter:

Abstract
Animal/Botanical
Geographical
Interiors

Patricia Mitchell - Walk of Life - Detail

Patricia Mitchell - School of Fish with Leaves

Patricia Mitchell - The Golden Elephants

Patricia Mitchell - Postcards from the Tropics

Patricia Mitchell - Pap Du Cong - Framed

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“No other wood will do – drift wood has withstood the test of time, yet it still holds its beauty, strength and power, much like our beloved elephants.”

Patricia Mitchell

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Jad Oakes

London-based Jad Oakes explores the possibilities of photography and the moving image for sculptural installations, prints and photogravures.

His works are presented as collections or bodies of work that are connected by their process, theme and technique. The main thread that ties these bodies of works together is a fascination with memory and time.

Since 2014 he has developed and nurtured an ongoing series of small scale silent looping film installations housed in wooden sculptures titled Vessels.

Condensed Vessel Videos:

Dreams of Somewhere Else
Moonscape 50
Memory Vessel

Using timbers of Oak, Walnut and Bog Oak these moving image sculptures seek to connect with the viewer by projecting them into an alternative space and time.

Of the Vessels series he notes a desire to “create intimate emotive sculptures, enticing contemplation and memory.”

Jad Oakes was awarded the Aesthetica Prize at the 2019 ING Discerning Eye Exhibition.

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Artist Summary
Artist Biography

Categories:

Prints
Photography
Sculpture

Sculpture Type:

Interior
Tabletop

Medium:

Collage
Digital
Mixed Media
Photography
Photomontage
Prints – Artist
Prints – Other
Sculpture – Wood
Sculpture – Other
Video/Film

Subject:

Historical
Landscape
Portrait/Figurative

Selected Exhibitions

2019

Discerning Eye Aesthetica Award
ING Discerning Eye – Mall Galleries
Woolwich Contemporary Print Fair

2018

Residues – By Other Means Gallery, London
ING Discerning Eye – Mall Galleries
Meet the Members – London Print Studio
Identity – Kindred Studios, London

2017

Unique Beauty – Cupola Contemporary Art, Sheffield
Affordable Art Fair, London
Portrait 17 – Degree Art, London

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Rebecca Gouldson

Rebecca Gouldson creates elegant, bespoke metal and enamel wall pieces for private, corporate and public spaces.

The beautifully etched, rich metallic surfaces are created using techniques more traditionally used by printmakers. These expressive, reflective surfaces engage the viewer as they transform with the changing light of the day.

Rebecca draws inspiration from diverse subject matter, including architecture, the rural landscape, and maps. Working closely with her clients, each response to a commission brief involves taking photographs, and making drawings, prints and collages on paper. This imagery is combined, manipulated and then etched in to metal. Layers of processes, including electroplating and chemical patination, are used in innovative sequences, which push the boundaries of metalworking, to create unique objects.

Having established her studio in 2003, Rebecca Gouldson quickly rose to acclaim at first nationally, receiving awards from the Crafts Council and Crafts Magazine, and then internationally, exhibiting in the USA at prestigious shows such as SOFA Chicago and Philadelphia Museum of Art Craft Show. Back in the UK, her work was sold at London and Edinburgh Art Fairs.

Since then, she has been working on projects as diverse as superyachts, board rooms, and luxury jewellery and fashion brands in the US, Japan and the Middle East. In 2014, Rebecca extended her artistic practice to include vitreous enamel, which has extended the potential of her commission work in to architectural facades and outdoor sculptures.

Artist Summary
Artist Biography

Categories:

Sculptures
Installations
Wall Panels

Medium:

Enamel
Installation
Sculpture – Metal Fabricated
Sculpture – Mixed Media
Other

Subject Matter:

Abstract
Animal/Botanical
Architectural
Cityscape/Urban
Geographical
Historical
Landscape
Seascape/Water
Sporting
Still Life

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Tom Waugh

Tom Waugh MRSS is a British sculptor based in Somerset. He has been an associate member of the Royal Society of Sculptors since 2018. In 2005 he gained a First in Architectural Stone Carving at the City and Guilds of London Art School and has spent time in India studying traditional carving techniques with the temple carver Raja Saceran.

‘I find it fascinating that sculpture has the ability to cause a shift in people’s perception. In my work I hope to challenge ideas of material value and make people look again at the things we take for granted.’

Tom Waugh carves stone and marble in minute detail to mirror the discarded waste of human consumption. These objects document the tiny imprints of human use. Plastic bags, cardboard boxes and tin cans are squashed, crushed and wrinkled whilst still displaying the traces of mass production.

His carving can be seen on St Pancras Station, St Martin in the fields and St Georges Chapel, Windsor. His Sculptures are exhibited widely and can be seen in the collections of Warwick University and Gladstone’s Library.

Artist Summary
Artist Biography

Categories:

Sculpture

Type:

Exterior
Interior
Tabletop

Medium:

Stone

Subject Matter:

Hyper-Realistic
Still Life

Tom Waugh - Stone Carving in 'Leaving' by Nicholas Dimbleby

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I find it fascinating that sculpture has the ability to cause a shift in people’s perception. In my work I hope to challenge ideas of material value and make people look again at the things we take for granted.

Tom Waugh

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Colin Rose

Colin Rose has worked as a sculptor for over thirty years. He has exhibited throughout the UK and Europe and has undertaken many public sculpture commissions.

He has undertaken public sculpture commissions for a very wide range of clients in various mediums. Colin usually works by taking a brief from the client and allowing the brief and the site to lead the design. Over the years he has worked in a variety of mediums from mirror polished stainless steel to stone. More unusually he has worked with Rope, Brick and even Coal Dust depending on the requirement of the brief.

While developing his practice Colin taught fine art and was head of Sculpture at Sunderland University from 2000 till 2006.

In addition to making sculpture, Colin Rose has a strong passion for drawing and the immediacy the process offers. The understanding gained through drawing is an important tool in the development of his designs and his working practice.

Artist Summary
Artist Biography

Categories:

Sculptures
Paintings
Other

Sculpture Types:

External
Internal
Tabletop

Mediums:

Drawings
Paintings on Canvas
Sculpture – Metal Fabricated
Sculpture – Mixed Media
Sculpture – Resin
Sculpture – Other (Rope, Brick & Coal Dust)

Subject Matter:

Abstract

Selected Commissions:

‘Meteor’ – Jodrell Bank
‘Rain’ – Sheffield
‘You’ – Genome Centre
‘StarBall’ – EBI, Cambridge
‘Swirl Cone’ – Carmarthen
’10 Swirl’ – Gateshead

Selected Exhibitions:

Artlanta – Atlanta USA
Earthworks – NSW, Australia
Villes et Valises – Strasbourg

Selected Awards:

National Design Award
Henry Moore Foundation
Northern Electric Visual Arts Award

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Louise Plant

Louise Plant creates sculpture inspired by the dynamics of movement. She works with marble, stone, bronze, cast iron and steel and has a particular feel for the direction the material wants to go. Her sculptures are visually striking with a wonderful sense of aliveness and  character.

Louise studied sculpture with the Open College of the Arts in 1992, whilst working full time as a teacher. Leaving teaching in 1994, Louise continued to study and make sculpture. She was elected Member of the Royal Society of Sculptors in 2003 and became Fellow in 2014.

Louise Plant has exhibited widely including MOCA, Cheeseburn Grange, Asthall Manor, New Walk Museum and Art Gallery, the Usher and Wysing Arts.

Awards include the Brian Mercer Scholarship, Studio Sem, Italy, the KKV Bohuslän Scholarship, Sweden and the Year of the Artist Award, Arts Council England.

Her work is held in private collections globally and she has been commissioned by the MOD Northwood, the RNIB Loughborough, Durham County Council, Somerset County Council and the Waldorf Astoria Bangkok.

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Artist Summary
Artist Biography

Categories:

Sculptures
Prints

Mediums:

Drawing
Prints – Screenprints
Prints – Other
Sculpture – Metal-Cast
Sculpture – Metal-Fabricated
Sculpture – Stone

Subject Matter:

Abstract

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Lizzie Farey

Lizzie Farey’s intricate structures capture a still moment, a distillation and order. Calm after a storm.

Intimate forms provide a hint of the process of creation. We can see and even feel points of tension in the work. Our eye can follow the artist’s hand, the choices made in twisting and turning this flexible medium.

Born in Singapore, for the last 30 years Farey has been based in rural Galloway, in Scotland’s South West. The rural setting of home and studio are her guiding inspiration, her sensitivity with wood revealing an interaction with nature that is deeply personal.

Lizzie Farey grows much of her own pallet of artist’s materials. Planting, tending and harvesting a range of willow which is grown for both texture and colour.

Willow, it’s flow of flex and tension is often manipulated into rhythmic patterns, Artist, willow, form, each unique, reach a perfection as the work comes together, inner creative process and final form working as one.

‘My work engages with nature. I focus on recreating the essence of natural form through the medium of willow, larch, ash, hazel and other locally grown woods. Influences from Japan continue to inspire my attempts to capture the simplicity, practicality and beauty of the materials.’

Artist Summary
Artist Biography

Categories:

Sculpture
Wall Panels

Sculpture Type:

Interior

Mediums:

Sculpture – Wood
Woven Willow

Subject Matter:

Abstract

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‘My work engages with nature. I focus on recreating the essence of natural form through the medium of willow, larch, ash, hazel and other locally grown woods. Influences from Japan continue to inspire my attempts to capture the simplicity, practicality and beauty of the materials.’

Lizzie Farey

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Pierre Diamantopoulo

Pierre Diamantopoulo has two distinct strands to his figurative style. They seem to be intellectually and emotionally worlds apart, but they share the same impetus.

One is a cool and measured response to a profound sense of unrest. In this work, figures fly in defiance or are challenged by their environments. They ‘trippingly’ negotiate upheaval or uncertainties — each work is a balancing act, a metaphor for a precarious state of living or existence. Androgynous and anonymous human figures tilt and fall away – on and off objects that also teeter on a chaotic or shifting stage. Figures may be set free against strongly convergent lines, shapes and forms.

The other strand of Pierre Diamantopoulo’s practice is ambiguous, allegorical and atavistic, but still concerned with mercurial forces. Here, he works on impulse— mixing dark foolery, the poetic and the literary with theatre and folklore— blended with a sort of logical nonsense. This may be a voyage into the past, personal or absurd, diverted by the raw and primitive, with the wit, the mimic and maverick on board. These works are often executed with an immediate, freer hand, exploiting the texture of the raw material.

Artist Summary
Artist Biography

Categories:

Sculptures
Paintings

Sculpture Type:

Exterior
Interior
Tabletop

Mediums:

Metal-Cast Sculpture
Metal-Fabricated Sculpture
Paintings on Canvas
Paintings on Paper

Subject Matter:

Abstract
Animal/Botanical
Portrait/Figurative

Pierre Diamantopoulo - Once I sat Upon a Promontory

Pierre Diamantopoulo - Flight of Langoustine

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There are two distinct strands to my figurative style. They seem to be intellectually and emotionally worlds apart, but they share the same impetus.

Pierre Diamantopoulo

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Dorothy Brook

Dorothy Brook became a sculptor in a roundabout way. She had studied Graphic Design at St Martins School of Art and worked as a freelance designer for about 10 years. When circumstances changed, a friend suggested she join a sculpture class. She loved it having no idea that she would be able to work in three dimensions having been used to seeing everything from a graphic and linear perspective.

To her surprise her graphic background gave her work a very different look. The lines and curves have to flow when viewed from every angle. The form is pared down until all that is left is its essence. Ultimately the aesthetic of the piece is the most important element.

Although Dorothy may start a sculpture with an armature and an idea of what she is going to make, it very often changes during the process. It is the sculpture that dictates where it is going and she follows, refining the lines as it progresses. Usually working in plaster as she finds it is easier to achieve the sharp edges and smooth surfaces that define her style. ‘I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.’

Dorothy Brook still loves the process as much as she did in that first sculpture class. The realisation that her drawings can and have come to life is very satisfying, not bad for a Graphic Designer!

Artist Summary
Artist Biography

Categories:

Sculpture
Paintings

Sculpture Types:

Exterior
Interior

Mediums:

Sculpture – Metal-Cast
Sculpture – Resin
Painting on Paper
Pastels
Drawing

Subject Matter:

Abstract
Figurative
Landscape

Selected Exhibitions:

Wizo/Ben Uri Gallery – London
Waterstone Gallery – Birmingham
24 London – Berlin, Barcelona & Milan
Expression of Movement – Grove Hotel – Watford
Great British Sculpture Show – Hatfield House
Henley Art Festival

Selected Commissions:

Winterthur House – London
Unilever – London
Compaq – London
Maughan Library Garden, Kings College – London
WIZO – London
Hong Kong Finance – Hong Kong

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'I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.'

Dorothy Brook

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Philip Melling

Philip Melling works predominantly in metals creating an eclectic range of sculpture for exhibition, private clients and public installation.

He draws inspiration mostly from the materials he uses. Through concepts of movement and through experimentation he develops the shape of his sculptures.

His collection ‘Elements’ focuses on Earth, Air, Water and Fire and describing the reaction when those elements meet.

In developing the collection Philip Melling concentrated on using a repetitive form – curved metal bars, to generate concepts and capture the movement of elemental reactions.

Philip’s sculptures are designed to work as sculptures for the home, office and garden, as well as larger scale installations for private or public spaces.

Artist Summary
Artist Biography

Categories:

Sculptures

Sculpture Type:

Exterior
Interior

Mediums:

Sculpture – Metal-Fabricated

Subject Matter:

Abstract
Architectual

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Ian Turnock

Ian Turnock produces sculpture inspired by patterns and symmetry in nature. One of his main sources of inspiration are the silhouettes formed against the sky by tree foliage at different times of the year.

The spaces between the branches and leaves are just as important. A concept known in Japanese gardens as ‘Ma’, and is akin to the silences between the notes in music. Sometimes it is the gaps I am looking for just as much as the leaves themselves.

Ian Turnock has a background in graphic design which influences his exploration of form and line. Drawings and photographs are the starting point from which he develops organic, abstract and figurative sculpture.

Ian creates intricate and detailed drawings from which the final artwork is digitally cut. The designs can be cut in stainless steel, corten, aluminium, copper, reclaimed steel and plywood. This transforms the drawn line into a tangible object.

Artist Summary
Artist Biography

Categories:

Sculpture

Sculpture Type:

Exterior
Interior

Mediums:

Sculpture – Metal-Fabricated

Subject Matter:

Abstract
Animal/Botanical

Ian Turnock - Eye of the Hurricane on Wall

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I create intricate and detailed drawings from which the final artwork is digitally cut into stainless steel, corten, aluminium, copper, reclaimed steel and plywood, transforming the drawn line into a tangible object.

Ian Turnock

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Susan Andreae

Susan Andreae is a sculptor and printmaker based in London.

Having grown up in London, she is fascinated by the complexity of living in the city – the crowds, commuters, architecture and energy of urban life.

She also travels frequently to Southern Italy and is inspired by the simplicity of the ancient architecture and colours of the Mediterranean.

Ideas evolve for Susan Andreae from things she sees and experiences and always from drawings made in situ, which start the creative process. She then experiments with techniques of layering using multiple images superimposed to arrive at a final image, eluding to the passing of time and historical change.

Artist Summary
Artist Biography

Categories:

Prints
Sculpture

Sculpture Type:

Interior
Tabletop

Mediums:

Prints – Artist-Etchings
Sculpture – Metal-Cast
Sculpture – Concrete/Plaster/Ceramic

Subject Matter:

Abstract
Architectural
Landscape
Urban

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Having grown up in London, I am fascinated by the complexity of living in the city – the crowds, commuters, architecture and energy of urban life.

Susan Andreae

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Zac Greening

Zac Greening draws his inspiration principally from nature – ‘the ultimate sculptress’. He finds the sculptural forms created by the sun, moon, waves and trees particularly inspiring as symbols of sustainability.

He works in a wide range of media from discarded plastic bottles to organic matter. Often these materials are fused together to reinforce the aesthetic or narrative that he’s looking to express.

A narrative is created that highlights the relationship between man and the natural environment.

Common themes found in his work often abstractly express or make a comment on current issues. Issues such as sustainability, environmental degradation, or consumption. Alternatively they may simply be an expression of the marvel and awe he sees in a sunset or the kinetic and meditative experience found in the rolling of sea waves.

Zac Greening communicates and reminds the viewer of mankind’s inextricable socio-economic and spiritual link with the natural world

Artist Summary
Artist Biography

Categories:

Sculptures
Installations
Wall Panels

Sculpture Type:

Exterior
Interior

Medium:

Mixed Media
Recycled Materials
Wood
Other

Subject Matter:

Abstract
Animal/Botanical

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A narrative is created that highlights the relationship between man and the natural environment. Common themes found in my work often abstractly express or make a comment on current issues.

Zac Greening

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Claire Malet

Claire Malet produces work is inspired by natural forms and landscapes. Fragments of sea-worn shells, the rock formations of a battered coastline, a curl of split bark, the dancing light and shadow of woodland all give inspiration.

I also draw inspiration directly from the characteristics of the medium. Working intuitively is key, allowing the metal to suggest a direction and find a relationship with the subject matter. I work in silver, copper, steel and ‘found metals’

Claire Malet is exhibited internationally, with gallery representation in UK, USA, Australia and Ireland.

I have pieces in several public collections, including the Victoria & Albert Museum and the National Museum Cardiff. Awards include Goldsmiths’ Fair Best New Design Award 2014.

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Artist Summary
Artist Biography

Categories:

Sculpture
Installations
Accessories

Sculpture Type:

Interior
Tabletop

Mediums:

Sculpture – Metal-Cast
Sculpture Metal-Fabricated
Gilding

Subject Matter:

Abstract
Natural Forms

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My work is inspired by natural forms and landscapes: fragments of sea-worn shells, the rock formations of a battered coastline, a curl of split bark, the dancing light and shadow of woodland.

Claire Malet

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Thurle Wright

Thurle Wright works with books, maps and words on paper.

Her delicate paper reconstructions stem from an interest in the systems and structures of language. As well as the ordering of knowledge and the collecting, storing and accessing of words.

She cuts, folds, weaves and stitches lines of words into a new visual format. Traces of the original mingle with personal, often playful or poetic interpretations.

Originally from Zimbabwe, Thurle works from her studio in Folkestone’s Creative Quarter.

She has exhibited widely both in the UK and internationally, including Collect2019 at the Saatchi Gallery, the Bookarts Triennial in Lithuania, Deptford X, and Brussels Art on Paper.

Numerous residencies include work for the V&A Museum of Childhood, Perth Central School of Art and Design, Camberwell Arts and various schools and colleges in the UK.

Her work is held public and private collections including Brisbane State Library

Artist Summary
Artist Biography

Categories:

Sculpture
Installations
Wall Panels

Sculpture Type:

Interior

Mediums:

Installation
Paper/Paper Pulp
Sculpture – Mixed Media
Sculpture – Mobile

Subject Matter:

Abstract
Architectural
Geographical
Historical
Geometric
Patterned
Text-based

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My delicate paper reconstructions stem from an interest in the systems and structures of language. As well as the ordering of knowledge and the collecting, storing and accessing of words.

Thurle Wright

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Chris Wood

Chris Wood’s medium is light. She uses a range of high and low-tech optical materials to harness patterns of light that suggest ephemeral glimpsed moments in the natural world.

Her sculptures are simple arrangements creating kinetic patterns in response to the environments in which they are placed. Her work brings a wistful romanticism to a minimalist aesthetic. Chris Wood orders the accidental and makes us reflect on the experience of seeing.

After studying Furniture Design at Middlesex University in the mid 1980s. She then went on to study glass at the Royal College of Art, where she worked on architectural scale projects dealing with light and space.

Chris Wood produces innovative installations for gallery exhibition. She has shown extensively throughout the UK and internationally. Her work is represented in a number of private collections as well as the Shanghai Museum of Glass.

She also produces work to commission and has created works for Fendi Fashion House, Great Ormond Street Hospital, Premier Inn Hotel and a Scandinavian cruise ship. Chris is currently working on her largest project to date in Taiwan.

Artist Summary
Artist Biography

Categories:

Sculpture
Installations
Wall Panels
Glass

Sculpture Type:

Exterior
Interior

Glass Type:

Dichroic Glass Wall Panels

Mediums:

Installations
Light
Mixed Media
Sculpture – Mixed Media
Sculpture – Glass

Subject Matter:

Abstract

Education

Middlesex University – Furniture Design
Royal Collage of Art – Glass Design

Selected Commissions

2019 – Nangang Exhibition Centre – Taipei
2019 – Light Pattern – Park Lane, London
2018 – Great Ormond Street Hospital Facade
2018 – Lade School, Trondheim
2017 – Mein Schiff 6 – Cruise Liner
2016 – ‘Hues of Light’ for Fendi Fashion – Paris, London, Milan & New York
2015 – Shanghai Museum of Glass

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My sculptures are simple arrangements creating kinetic patterns in response to the environments in which they are placed.

Chris Wood

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Mark Beattie MRSS

Mark Beattie MRSS is a British award winning sculptor who lives and works in London.

In 2015, Mark won the Midlands Open, The Xerxes Sculpture Prize and was elected a Member of The Royal Society of Sculptors (MRSS). In 2017 Mark was shortlisted for the Open Contemporary Young Artist Award run by the Biscuit Factory Gallery in Newcastle and long-listed for The Secret Art Prize by Curious Duke Gallery and also for the international Rise Art Prize.

Working with various metals in all their contrasting properties of texture and finish, Mark can make industrial materials appear fluid, malleable and delicate. He continues to study different metals, looking at ways to manipulate and add movement to the material.

Over the past 3 years Mark has been developing ways in which neon and LED’s can complement his sculptures, adding to the movement of a piece and catching the viewer’s eye.

Mark has a strong academic background in art, having studied a BA Hons (International) in Contemporary Art Practice at Leeds University, with a period at the Australian National University at Canberra, and after an MA in European Arts Practice at Kingston University, Surrey. To date he has now exhibited in over 60 exhibitions, solo and group and has a strong following from collectors both in the UK and abroad.

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Artist Summary
Artist Biography

Categories:

Sculpture
Wall Panels

Sculpture Type:

Exterior
Interior
Tabletop

Mediums:

Sculpture – Metal-Fabricated
Sculpture – Mixed Media
Sculpture – Light

Subject Matter:

Abstract

2018-Commissioned by Art Contact for the London Digestive Clinic

SELECTED EXHIBITIONS

2019 – London Art Fair
2019 – Battersea Affordable Art Fair
2019 – The Other Art Fair
2018 – London Art Fair
2018 – Capital Club, Dubai
2018 – Eight from Nyne, Park Lane, London
2018 – Henley Festival
2017 – Young Artist Award
2017 – ‘Orbital’, Cafe Royal Hotel, London
2017 – The Other Art Fair, London
2016 – Artists of the Future, London
To see more download the Artists Biography

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I strive to make industrial materials appear fluid, malleable and delicate and continue to study different metals, looking at ways to manipulate and add movement to the material.

Mark Beattie

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My art switches back and forth between an engagement with socio-political issues and subconscious renderings. I can’t escape my concern for the wrongdoing in the world and within my art a surface layer of humour, absurdity and the arcane masks a strong undercurrent of concern for humanity.

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I have always been interested in exploring different materials on which to paint including metal, concrete, glass & Perspex. In using these materials, I’ve always sought to blur the boundaries between the illusory nature of paint and the physical properties of materials.

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My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.

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“No other wood will do – drift wood has withstood the test of time, yet it still holds its beauty, strength and power, much like our beloved elephants.”

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I find it fascinating that sculpture has the ability to cause a shift in people’s perception. In my work I hope to challenge ideas of material value and make people look again at the things we take for granted.

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‘My work engages with nature. I focus on recreating the essence of natural form through the medium of willow, larch, ash, hazel and other locally grown woods. Influences from Japan continue to inspire my attempts to capture the simplicity, practicality and beauty of the materials.’

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There are two distinct strands to my figurative style. They seem to be intellectually and emotionally worlds apart, but they share the same impetus.

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'I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.'

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I create intricate and detailed drawings from which the final artwork is digitally cut into stainless steel, corten, aluminium, copper, reclaimed steel and plywood, transforming the drawn line into a tangible object.

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Having grown up in London, I am fascinated by the complexity of living in the city – the crowds, commuters, architecture and energy of urban life.

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A narrative is created that highlights the relationship between man and the natural environment. Common themes found in my work often abstractly express or make a comment on current issues.

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My work is inspired by natural forms and landscapes: fragments of sea-worn shells, the rock formations of a battered coastline, a curl of split bark, the dancing light and shadow of woodland.

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My delicate paper reconstructions stem from an interest in the systems and structures of language. As well as the ordering of knowledge and the collecting, storing and accessing of words.

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My sculptures are simple arrangements creating kinetic patterns in response to the environments in which they are placed.

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I strive to make industrial materials appear fluid, malleable and delicate and continue to study different metals, looking at ways to manipulate and add movement to the material.

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