Jonathan Page

Jonathan Page is driven by a desire to explore the boundaries between an aesthetic, harmonic perfection and the inherent imperfection of human creation. He celebrates the intricacies of artisanal craft within an increasingly mechanised world, incorporating visceral and instinctive approaches toward his art. He endeavours to explore ideas of purity and perfection within the boundaries of human consciousness.

Jonathan Page specialises in modern abstract sculptures finished in clay, fibreglass, bronze and steel.
“My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.”

Jonathan’s work is collected internationally and held in numerous private collections.

Categories:

  • Sculpture
  • Wall Panels

Mediums:

  • Ceramic
  • Metal-Cast
  • Metal-Coldcast
  • Resin

Subject Matter:

  • Abstract
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My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.

Jonathan Page

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    Colin Rose

    Colin Rose has worked as a sculptor for over thirty years. He has exhibited throughout the UK and Europe and has undertaken many public sculpture commissions.

    He has undertaken public sculpture commissions for a very wide range of clients in various mediums. Colin usually works by taking a brief from the client and allowing the brief and the site to lead the design. Over the years he has worked in a variety of mediums from mirror polished stainless steel to stone. More unusually he has worked with Rope, Brick and even Coal Dust depending on the requirement of the brief.

    While developing his practice Colin taught fine art and was head of Sculpture at Sunderland University from 2000 till 2006.

    In addition to making sculpture, Colin Rose has a strong passion for drawing and the immediacy the process offers. The understanding gained through drawing is an important tool in the development of his designs and his working practice.

    Categories:

    • Sculptures
    • Paintings
    • Other

    Sculpture Types:

    • External
    • Internal
    • Tabletop

    Mediums:

    • Drawings
    • Paintings on Canvas
    • Sculpture – Metal Fabricated
    • Sculpture – Mixed Media
    • Sculpture – Resin
    • Sculpture – Other (Rope, Brick & Coal Dust)

    Subject Matter:

    • Abstract
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      Dorothy Brook

      Dorothy Brook became a sculptor in a roundabout way. She had studied Graphic Design at St Martins School of Art and worked as a freelance designer for about 10 years. When circumstances changed, a friend suggested she join a sculpture class. She loved it having no idea that she would be able to work in three dimensions having been used to seeing everything from a graphic and linear perspective.

      To her surprise her graphic background gave her work a very different look. The lines and curves have to flow when viewed from every angle. The form is pared down until all that is left is its essence. Ultimately the aesthetic of the piece is the most important element.

      Although Dorothy may start a sculpture with an armature and an idea of what she is going to make, it very often changes during the process. It is the sculpture that dictates where it is going and she follows, refining the lines as it progresses. Usually working in plaster as she finds it is easier to achieve the sharp edges and smooth surfaces that define her style. ‘I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.’

      Dorothy Brook still loves the process as much as she did in that first sculpture class. The realisation that her drawings can and have come to life is very satisfying, not bad for a Graphic Designer!

      Categories:

      • Sculpture
      • Paintings

      Sculpture Types:

      • Exterior
      • Interior

      Mediums:

      • Sculpture – Metal-Cast
      • Sculpture – Resin
      • Painting on Paper
      • Pastels
      • Drawing

      Subject Matter:

      • Abstract
      • Figurative
      • Landscape
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      'I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.'

      Dorothy Brook

      Enquire about

        We will only use your personal information to send you information which you have requested from us. However, from time to time we may contact you with details of other services we provide. If you consent to us contacting you for this purpose please tick to confirm.

        I consent

        View our Privacy Policy for information on how we store, protect and manage your submitted data.