Kevin Killen

For Northern Irish artist Kevin Killen, sculpture begins with observation. The rhythms of a landscape, the movement of people through a city, and the unseen connections between architecture, history and community become the foundation for works that reveal what often goes unnoticed.

Working across steel, stainless steel, neon, LED and 3D-printed elements, Killen creates sculptures that respond directly to the character of a place. Through carefully integrated light and precisely fabricated forms, his work transforms public and architectural spaces, inviting viewers to slow down, look again and experience their surroundings in new ways.

My practice explores how light, movement and memory shape our experience of place. Working across steel, stainless steel, neon, LED and 3D-printed elements, I design, fabricate and install sculptural works that make hidden systems of movement, connection and human presence visible within public and architectural spaces.

Each work begins with research—walking a site, mapping routes, drawing, photographing and recording light over time. These observations become the starting point for sculptural forms and illuminated structures that embody a sense of journey, rhythm and collective experience. I am fascinated by the way people move through spaces, and how public art can create moments of pause, recognition and connection within that movement.

Every commission is shaped by the identity and history of its location, combining durable materials with light so that each work evolves between day and night. This ongoing exploration of movement has drawn inspiration from many sources: personal journeys, transport networks, dance, the flight patterns of birds and insects, and the rhythms of the human body. Together they reveal the often-invisible patterns that connect people, places and memory, transforming the familiar into something newly observed.

View Current Artworks

Category:

  • Sculpture

Medium:

  • Sculpture – Metal Cold Cast
  • Sculpture – Light

Subject:

  • Interiors
  • Abstract
  • Architectural
  • Cityscape/Urban
  • Landscape
  • Transport/Aviation
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    Jason Young

    Jason Young is a New York–based artist whose work explores the meeting point of painting, sculpture, and light. For more than three decades he has pioneered the use of urethane resin and automotive lacquer to create works whose depth is not painted but physically built, transforming the traditional illusion of space into a tangible optical experience. Rooted in classical technique yet unmistakably contemporary, his paintings invite viewers into surfaces that shift with changing light, movement, and perspective.

    Jason spent my early years learning to lie convincingly. Trompe-l’œil — the classical trick of making flat paint read as real depth — first in Lacoste, then apprenticed to Yuri Kuper in Normandy. I got good at the illusion of light on a surface.

    Resin ended that. Built up in urethane resin and automotive lacquer over acrylic and wood, the depth is no longer a trick — it’s actually there, layer beneath layer, the way light actually sinks into water. Jason Young was among the first painters to explore urethane resin as a fine-art medium, and thirty years on it still does something no pigment can: it holds light instead of describing it.

    Most of the work is water at the edge of a day — the moment a sunset breaks apart on a moving surface. From across a room it settles into abstraction. Up close it becomes an optical event, and because the surface reflects, it never sits still — it takes in the room, the light, whoever is standing in front of it.

    View Current Artworks

    Categories:

    • Paintings
    • Scupture – Interior
    • Sculpture – Resin/Plastic
    • Wall Panels

    Medium:

    • Urethane resin & automotive lacquer on acrylic and wood

    Subject:

    • Abstract
    • Seascape/Water
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      Jonathan Page

      Jonathan Page is driven by a desire to explore the boundaries between an aesthetic, harmonic perfection and the inherent imperfection of human creation. He celebrates the intricacies of artisanal craft within an increasingly mechanised world, incorporating visceral and instinctive approaches toward his art. He endeavours to explore ideas of purity and perfection within the boundaries of human consciousness.

      Jonathan Page specialises in modern abstract sculptures finished in clay, fibreglass, bronze and steel.
      “My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.”

      Jonathan’s work is collected internationally and held in numerous private collections.

      Categories:

      • Sculpture
      • Wall Panels

      Mediums:

      • Ceramic
      • Metal-Cast
      • Metal-Coldcast
      • Resin

      Subject Matter:

      • Abstract
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      My sculptures are concerned with harmony, the natural world, aesthetics and beauty. I believe these concepts and phenomena are crucial to the integrity of art.

      Jonathan Page

      Enquire about

        We will only use your personal information to send you information which you have requested from us. However, from time to time we may contact you with details of other services we provide. If you consent to us contacting you for this purpose please tick to confirm.

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        Colin Rose

        Colin Rose has worked as a sculptor for over thirty years. He has exhibited throughout the UK and Europe and has undertaken many public sculpture commissions.

        He has undertaken public sculpture commissions for a very wide range of clients in various mediums. Colin usually works by taking a brief from the client and allowing the brief and the site to lead the design. Over the years he has worked in a variety of mediums from mirror polished stainless steel to stone. More unusually he has worked with Rope, Brick and even Coal Dust depending on the requirement of the brief.

        While developing his practice Colin taught fine art and was head of Sculpture at Sunderland University from 2000 till 2006.

        In addition to making sculpture, Colin Rose has a strong passion for drawing and the immediacy the process offers. The understanding gained through drawing is an important tool in the development of his designs and his working practice.

        Categories:

        • Sculptures
        • Paintings
        • Other

        Sculpture Types:

        • External
        • Internal
        • Tabletop

        Mediums:

        • Drawings
        • Paintings on Canvas
        • Sculpture – Metal Fabricated
        • Sculpture – Mixed Media
        • Sculpture – Resin
        • Sculpture – Other (Rope, Brick & Coal Dust)

        Subject Matter:

        • Abstract
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          Dorothy Brook

          Dorothy Brook became a sculptor in a roundabout way. She had studied Graphic Design at St Martins School of Art and worked as a freelance designer for about 10 years. When circumstances changed, a friend suggested she join a sculpture class. She loved it having no idea that she would be able to work in three dimensions having been used to seeing everything from a graphic and linear perspective.

          To her surprise her graphic background gave her work a very different look. The lines and curves have to flow when viewed from every angle. The form is pared down until all that is left is its essence. Ultimately the aesthetic of the piece is the most important element.

          Although Dorothy may start a sculpture with an armature and an idea of what she is going to make, it very often changes during the process. It is the sculpture that dictates where it is going and she follows, refining the lines as it progresses. Usually working in plaster as she finds it is easier to achieve the sharp edges and smooth surfaces that define her style. ‘I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.’

          Dorothy Brook still loves the process as much as she did in that first sculpture class. The realisation that her drawings can and have come to life is very satisfying, not bad for a Graphic Designer!

          Categories:

          • Sculpture
          • Paintings

          Sculpture Types:

          • Exterior
          • Interior

          Mediums:

          • Sculpture – Metal-Cast
          • Sculpture – Resin
          • Painting on Paper
          • Pastels
          • Drawing

          Subject Matter:

          • Abstract
          • Figurative
          • Landscape
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          'I love to capture the split second that epitomizes the dynamic of a movement, just as a photograph would – the frozen moment.'

          Dorothy Brook

          Enquire about

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