Kevin Killen

For Northern Irish artist Kevin Killen, sculpture begins with observation. The rhythms of a landscape, the movement of people through a city, and the unseen connections between architecture, history and community become the foundation for works that reveal what often goes unnoticed.

Working across steel, stainless steel, neon, LED and 3D-printed elements, Killen creates sculptures that respond directly to the character of a place. Through carefully integrated light and precisely fabricated forms, his work transforms public and architectural spaces, inviting viewers to slow down, look again and experience their surroundings in new ways.

My practice explores how light, movement and memory shape our experience of place. Working across steel, stainless steel, neon, LED and 3D-printed elements, I design, fabricate and install sculptural works that make hidden systems of movement, connection and human presence visible within public and architectural spaces.

Each work begins with research—walking a site, mapping routes, drawing, photographing and recording light over time. These observations become the starting point for sculptural forms and illuminated structures that embody a sense of journey, rhythm and collective experience. I am fascinated by the way people move through spaces, and how public art can create moments of pause, recognition and connection within that movement.

Every commission is shaped by the identity and history of its location, combining durable materials with light so that each work evolves between day and night. This ongoing exploration of movement has drawn inspiration from many sources: personal journeys, transport networks, dance, the flight patterns of birds and insects, and the rhythms of the human body. Together they reveal the often-invisible patterns that connect people, places and memory, transforming the familiar into something newly observed.

View Current Artworks

Category:

  • Sculpture

Medium:

  • Sculpture – Metal Cold Cast
  • Sculpture – Light

Subject:

  • Interiors
  • Abstract
  • Architectural
  • Cityscape/Urban
  • Landscape
  • Transport/Aviation
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    Jason Young

    Jason Young is a New York–based artist whose work explores the meeting point of painting, sculpture, and light. For more than three decades he has pioneered the use of urethane resin and automotive lacquer to create works whose depth is not painted but physically built, transforming the traditional illusion of space into a tangible optical experience. Rooted in classical technique yet unmistakably contemporary, his paintings invite viewers into surfaces that shift with changing light, movement, and perspective.

    Jason spent my early years learning to lie convincingly. Trompe-l’œil — the classical trick of making flat paint read as real depth — first in Lacoste, then apprenticed to Yuri Kuper in Normandy. I got good at the illusion of light on a surface.

    Resin ended that. Built up in urethane resin and automotive lacquer over acrylic and wood, the depth is no longer a trick — it’s actually there, layer beneath layer, the way light actually sinks into water. Jason Young was among the first painters to explore urethane resin as a fine-art medium, and thirty years on it still does something no pigment can: it holds light instead of describing it.

    Most of the work is water at the edge of a day — the moment a sunset breaks apart on a moving surface. From across a room it settles into abstraction. Up close it becomes an optical event, and because the surface reflects, it never sits still — it takes in the room, the light, whoever is standing in front of it.

    View Current Artworks

    Categories:

    • Paintings
    • Scupture – Interior
    • Sculpture – Resin/Plastic
    • Wall Panels

    Medium:

    • Urethane resin & automotive lacquer on acrylic and wood

    Subject:

    • Abstract
    • Seascape/Water
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      Tracy Nicholls

      Perfectly Imperfect — edges crumble, surfaces pit, and cracks and voids begin to emerge.

      Working from her studio in Southwest London, Tracy creates kiln-formed glass sculptures that explore themes of erosion, deterioration, and fragility. Her work is inspired by the traces left behind through these processes and the intricate structures that endure despite them.

      Rejecting the qualities most commonly associated with glass—transparency, brilliance, and high shine—Tracy embraces a restrained monochrome palette and opaque materials. Through the transformative heat of the kiln, she manipulates and distorts the glass, navigating the tension between careful planning and unexpected outcomes. By pushing the material to its physical limits, she reveals delicate forms shaped equally by intention and chance.

      Layered constructions and the interplay of light further enrich each piece. As light filters through undulating apertures and reflects within hidden curves, depth, shadow, and subtle luminosity emerge. The result is a quiet yet compelling aesthetic that draws attention to the beauty found in imperfection and the often-overlooked details of decay.

      Categories:

      • Glass
      • Sculpture – Glass
      • Sculpture – Table Top
      • Sculpture – Interior

      Mediums:

      • Glass

      Subject Matter:

      • Abstact
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        Katharine Morling

        Katharine Morling creates striking ceramic sculptures that blur the boundary between drawing and object. Best known for her monochrome porcelain works, she transforms everyday items into hand-drawn, three-dimensional forms that appear as though they have stepped directly from the pages of a sketchbook. Through delicate black linework and carefully crafted surfaces, her sculptures evoke themes of memory, nostalgia, storytelling, and human presence.

        Working primarily with porcelain, Katharine Morling builds life-sized installations of domestic objects, furniture, tools, and personal belongings that feel both familiar and dreamlike. Her distinctive visual language combines the fragility of ceramics with the immediacy of drawing, creating immersive works that are playful, poetic, and emotionally resonant. Each piece invites viewers to imagine the stories behind the objects, exploring the quiet relationships between people, place, and memory.

        Categories:

        • Ceramic
        • Ceramic Sculpture
        • Installations

        Mediums:

        • Ceramic
        • Sculpture – Ceramic

        Subject:

        • Narative
        • Still Life
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          Ella Merriman

          Ella Merriman is a London-based artist and designer whose practice centres on the endangered craft of rush basketry. Harvesting rush by hand from slow-flowing rivers across the UK, her work reflects a deep engagement with material, place, and process, while exploring the growing disconnection between humans and the natural world.

          Combining traditional techniques with found objects collected from London streets, Ella Merriman creates a dialogue between urban and rural environments. Her practice is rooted in slow, tactile making, guided by intuition and the inherent qualities of her materials.

          Through experimental forms, she reimagines everyday and discarded objects, extending rush basketry beyond its functional origins into conceptual and decorative realms. Her work engages with themes of preservation, renewal, and the subtle presence of nature within contemporary life.

          View Current Artworks

          Categories:

          • Sculptures
          • Installations
          • Wall Panels

          Mediums:

          • Sculpture – Land
          • Sculpture – Mixed Media
          • Sculpture – Mobile
          • Sculpture – Wood
          • Sculpture – Other
          • Sculpture – Tabletop

          Subject:

          • Abstract
          • Animal/Botanical
          • Interiors
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            Andy Welland

            Kaleidoscopic rainbows collide, prints sing, and pink is everything in the world of Andy Welland. Positioned as a contemporary artist for the next generation, Welland’s work blends vibrant abstraction with a graphic sensibility shaped by his background in design. His practice moves fluidly between painting, sculpture and product collaborations, with projects appearing through retailers and partners including Liberty London, Lush and Co-op Live Arena.

            Raised in Doncaster by a trio of creative and influential women—his mother, grandmother and aunt—Welland developed an early appreciation for making and visual culture. He later studied Fine Art at Sheffield Hallam University, graduating in 2007, before working within the luxury division of M&C Saatchi and across boutique design studios in the UK.

            This background informs Andy Welland’s distinctive visual language. His energetic compositions are built from colliding shapes, bold colour systems and collage-like forms. Drawing inspiration from childhood imagination, nature and human connection, his work celebrates togetherness, imperfection and the joyful complexity of being human.

            Play sits at the heart of Welland’s practice—both as a mindset and a method. Through experimentation with colour, material and process, play becomes a creative tool that encourages curiosity, unexpected discoveries and joyful accidents, opening space for new ideas and meaningful connection.

            View Current Artworks

            Categories:

            • Paintings
            • Prints
            • Digital
            • Sculptures
            • Installations
            • Wall Panels
            • Textiles & Rugs
            • Accessories

            Mediums:

            • Collage
            • Digital
            • Installations
            • Mixed Media
            • Painting on Canvas
            • Painting on Paper

            Subject:

            • Abstract
            • Animal/Botanical
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              Amy Albright

              The paintings of Amy Albright transport the viewer into atmospheric and ambiguous landscapes—perhaps a misty evergreen lakeside, a distant coastal cliff shrouded in fog, or the quiet depths of a turquoise underwater expanse. Her subjects often feel vast and immersive, sometimes leaning toward abstraction while at other times suggesting recognisable landscapes. In every work, there remains an element of intrigue and the unknown.

              Albright works with subtle tonal ranges, using oil paint with an inky fluidity that softly envelops the canvas. The result is imagery that appears misty, watery, and indistinct—like a memory recalled or a place imagined.

              Her process begins loosely. Expressive, gestural marks establish the composition before gradually being “reined in” through blending, fading, pouring, and glazing multiple layers of oil paint. Through this careful layering, forms dissolve and re-emerge, as though wrapped in an atmospheric cloud. Occasionally, Amy Albright introduces small details that act as anchors within these otherwise ethereal environments.

              An explorer and devoted observer of the natural world, Albright draws inspiration from travel, from the shifting underwater environment, and from the dynamic weather, tides, and coastline of Cornwall, where she lives. The meeting point between land and water—where boundaries blur and forms transform—remains a continual and perhaps never-ending source of fascination in her work.

              View Current Artworks

              Categories:

              • Paintings

              Mediums:

              • Paintings on Canvas

              Subject Matter:

              • Landscape
              • Abstract Landscape
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                Heather McAlpine

                Heather McAlpine was born in Stirling, Scotland, and her creative path has taken her across continents. After earning her MA at the Royal College of Art in London, she spent sixteen years living and painting in Vancouver, Canada, before following her instincts to the rugged shores of Cornwall. For the past decade, she has found both solace and inspiration in St Ives, working from her studio in the historic ‘Downalong’ quarter, nestled between three of her favourite beaches.

                Heather’s paintings capture the distinctive light and colour of St Ives, translating not just the visual beauty of the ocean, but the sensory and emotional depth it evokes. Her work invites viewers into an immersive experience shaped by her deep connection to the sea, her love of wild swimming, and the intuitive, expressive process of painting itself.

                Ranging from small, intimate ‘captured moments’ on paper to expansive semi-abstract canvases—some as large as 1.7 by 2 metres—her paintings reflect a lifelong dialogue between place, emotion, and the ever-changing rhythm of the coastal landscape.

                View Current Artworks

                Categories:

                • Paintings

                Mediums:

                • Paintings on Canvas

                Subject Matter:

                • Seascape/Water
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                  Corinne Natel

                  Corinne Natel is a contemporary artist specialising in abstract mixed media paintings. Corinne is based in North West London and is inspired by landscapes, nature, cities, travel, fashion and media. Her work investigates colour, form, space and texture.

                  Working with a variety of mixed media, a blank canvas takes on a new form and begins to develop a life of it’s own. A new entity, aiming to create vibrant and emotive works that allude to another world.

                  Corinne Natel has sold works in the UK and internationally, for homes, offices, hotels, restaurants and cruise ships. She has exhibited in solo and group shows at contemporary galleries and at renowned London Hotels and leading Art Fairs.

                  View Current Artworks

                  Categories:

                  • Paintings
                  • Prints

                  Mediums:

                  • Acrylics on Canvas/Linen
                  • Inks
                  • Collage
                  • Mixed Media

                  Subject Matter:

                  • Abstract
                  • Botanical
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                    Sara Stode Winter

                    Swedish born, London based artist Sara Stode Winter has spent her working life in steady pursuit of creative fulfilment. With a background in fine art and illustration and many years of professional experience in different creative fields, she has acquired a strong artistic confidence and a unique expression that manifests in her abstract paper sculptures. Taking inspiration from her Scandinavian roots, Sara’s sculptures showcase a refined aesthetic and a considered use of colours and materials which, along with her avant-garde mindset, lends each piece an intriguing air of beauty and wonder.
                    Control is overrated. Interesting things happen when you surrender to the fact that you never really had any in the first place. Shedding a lifelong quest for perfection and preciseness I am now making art as an exploration of what happens when an open creative mind meets malleable materials.

                    Sara Stode Winter makes large scale sculptures out of quality Italian crepe paper. “When I came across this beautiful paper I was instantly drawn to the playfulness of its properties. Even now the possibilities still seem endless. To dye and manipulate the paper I use different media and techniques in processes that render each piece truly unique. The sculptures all take shape organically; from initial idea to finished artwork nothing is forced into being. I let the paper lead the way.”
                    Lately Sara has felt a pressing need to make large sculptures, which makes perfect sense. As the physical manifestations of her unleashed creativity, the pieces that emerge demand scale. No longer getting lost in the details, Sara is finding and claiming her space.

                    View Current Artworks

                    Categories:

                    • Sculpture
                    • Wall Panels

                    Mediums:

                    • Gilding
                    • Mixed Media
                    • Paper/Paper Pulp
                    • Pastels

                    Subject

                    • Abstract
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                    When I came across this beautiful paper I was instantly drawn to the playfulness of its properties. Even now the possibilities still seem endless. To dye and manipulate the paper I use different media and techniques in processes that render each piece truly unique. The sculptures all take shape organically; from initial idea to finished artwork nothing is forced into being. I let the paper lead the way.

                    Sara Stode Winter

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